题干

Comfort is comforting, but it might narrow our experience at work — and beyond.
In our modern world, discomfort is considered a terrible thing. If not terrible, it’s at least a thing of the past. Dishwashers, washing machines, computers, remote controls—yes, they add convenience, but also a level of comfort our forefathers did not enjoy.
As pain of any kind discourages happiness, we tend to reason anything that prevents us to feel good must be bad. And that’s also particularly true for our careers. Success makes us feel great, not terrible. Such a view, however, is a matter of personal opinion. And it may blind us to hidden opportunities.
Artists throughout history have tried to experience suffering, instinctively(本能地) if not consciously(有意识地), to produce works that explore the darker hidden sides of the human condition. This was done, in part, because pain is a reality of life for everybody in some form at some time. Pain is something everybody can relate to. And pain makes a person very real. For such artists, to deny pain would be to block the creative thinking, which drives them to explore and express. In fact, Germans have a term(术语) for this, “Weltschmerz”, which means “suffering from the world.” Writers, from Lord Byron to Kurt Vonnegut, have used the term to describe the psychological pain along life’s roller-coaster journey. It was not to be avoided; it was to be understood and employed.
So I believe that discomfort is good for us. Or, put another way, it tells us that something needs to be attended to. It develops us by forcing us to view our circumstances(环境) through a wholly different view. Because we’re attracted by safety and security, we do our best to create pleasant comfort zones for ourselves and our loved ones through the cars we drive, the houses we live in, and the places we work. But by resisting discomfort, we deny ourselves an important opportunity: the chance to shake ourselves out of our predictable perspectives(视角) and allow ourselves to make knowledgeable observations that we could not possibly have made before. Discomfort gives us fresh eyes.
【小题1】Which of the following is NOT a reason why artists throughout history have been exploring sufferings?
A.Pain is a mirror that can reflect the life of everybody.
B.Pain is something that no one can escape from.
C.Pain can strengthen the feeling of existence of a person.
D.Pain can help them to avoid the creative thinking.
【小题2】The term “Weltschmerz” couldn’t be used to describe something like __________.
A.social inequality
B.great achievements
C.racial discrimination(歧视)
D.mass killings
【小题3】The author believes that by challenging discomfort, one may _________.
A.lose an important chance to make a big fortune
B.feel upset and fail to think calmly
C.control the situation properly when things go wrong
D.judge and think about the world in a new particular way
【小题4】By writing this passage, the author tries to __________.
A.explain why discomfort is good for us
B.criticize(批评) a world full of comfort
C.persuade people to lead a life full of discomfort
D.blame those who enjoy an easy life
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同类题1

   Following Mo Yan's Nobel Prize , the usually silent Chinese literary circle got warmed up again. A Shanghai writer named Jin Yucheng surprised nearly everyone by making his novel full of Shanghai dialect.

Published in 2012, the 350,000-word Blossoms (Fan Hua) is a novel about the changes in Shanghai over 30 years, drawing clear images of the city through the stories of many common people. There is no main story like most novels, but every story in it could run independently. While putonghua is the standard choice for Chinese literature today, Jin's use of the Shanghai dialect appears both different and bold.

"I have seen too many novels that look similar to each other. Chinese literature is getting monotonous in both language and form. I want to be special with my own language, " Jin told the Global Times.

In the novel, Jin makes a breakthrough by mainly using dialogues to unfold various plots and represent typical characters on a daily basis. He also abandons the use of some punctuation like quotation marks (引号), showing a return to the traditional Chinese huaben genre.

Since its publication, the book has been widely recommended on Sina Weibo with many netizens rating the novel high for its unique use of dialect and vivid description of life using plain speech.

Jin said that he got the idea of writing the novel while chatting in an online forum where people use the Shanghai dialect. The praise he received from the netizens encouraged him to continue writing the random stories.

"I'd like to see more writers to follow my lead. It will enrich our literature and make it diverse," he said.

【小题1】What can we know from the first two paragraphs?
A.The Chinese literary circle is never silent.
B.Mo Yan was surprised at Jin Yucheng's new novel.
C.The stories in the novel aren't linked to each other.
D.The novel represents the lifestyle in Shanghai in the 1930s.
【小题2】The underlined word " monotonous" in Paragraph 3 is closest in meaning to "   ".
A.lacking in variety
B.being short of expectations
C.wanting further improvement
D.requiring more consideration
【小题3】How does Jin Yucheng make a breakthrough in his novel Blossoms?
A.By inventing lots of typical characters.
B.By creating a vivid background.
C.By employing dialogues to develop plots and represent characters.
D.By using beautiful words in Shanghai dialect.
【小题4】What encouraged Jin Yucheng to continue writing in dialect?
A.The family's support.
B.The netizens’ praise.
C.The citizens comments.
D.Other writers encouragement.

同类题2

   Isaac Asimov is one of the most famous science fiction(科幻小说)writers of all time. He moved from Russia to the United States in 1923.He was a teacher at Boston University and began writing science fiction stories in 1939.His most famous works are the Foundation books and the Robot stories. He died in 1992 at the age of 72.

"There are not many people who have invented a useful scientific term,and although I did it unknowingly,I am not going to let anyone in the world forget it,"said Isaac Asimov. He was talking about the word "robotics" —the study of robot behaviour.

Asimov wrote several stories about robots between 1940 and 1990.One of the special features of the robots in these stories was that they were programmed to follow the Three Laws of Robotics.

The First Law: A robot must not hurt a human being,or allow a human being to be hurt.

The Second Law: A robot must obey orders by human beings unless these orders conflict(冲突)with the First Law.

The Third Law: A robot must protect itself unless this conflicts with the First or Second Law.

In Asimov's stories,the robots must follow these laws so that they do not attack the humans that created them.

Some scientists think the Three Laws of Robotics are hard to realise in real life. On the other hand,some say that the laws are great for science fiction but completely useless in real life. For example,if the laws really worked,robots couldn't be used in wars,as this would break the First Law. Since the army is one of the biggest supporters for robotic research,it is very unlikely that an attempt to follow these rules will happen.

According to Asimov,one thing is certain:"Robots are changing the world and driving it in directions we cannot clearly foresee(预见)."

【小题1】At Boston University, Isaac ________.
A.learned to write stories
B.started to write science fiction stories
C.taught the writing of science fiction stories
D.invented a robot for writing
【小题2】According to some scientists, the Three Laws of Robotics are ________.
A.boringB.important
C.practicalD.unrealistic
【小题3】Based on the Three Laws of Robotics, robots can't be used ________.
A.in real lifeB.in wars
C.in the armyD.in the writing

同类题3

The Collections of Chinese Ancient Cultural Relics Abroad: Volume Victoria and Albert Museum has just been published, the fruit of ten years' efforts by Chinese experts.
The book is the first of an upcoming series that centers on ancient cultural heritage(文化遗产) collections in different museums around the world. The book details 195 out of 18,000 items now in the Victoria and Albert Museum in England.
More than 1.64 million ancient Chinese artifacts have been transported out of China because of different reasons such as wars and smuggling(走私) since the mid 19th century. More than 200 museums in 47 countries hold such collections, according to a report from UNESCO.
"The information we now have about these pieces is still very patchy(不全面的)," said Lu Zhangshen, curator(馆长) of the National Museum of China. "In order to have a clearer picture about these items, National Museum of China decided to start the Chinese Ancient Cultural Relics Abroad book project in 2005. But after we began, we found it really difficult to collect information for every piece from each museum. That’s why the first volume took us ten years."
"The pieces in the book include 102 porcelains(瓷器), 31 bronzes(铜器), 22 lacquer(漆器), 10 enamel vessels(搪瓷器皿) and so on," Liu Mingqian from Victoria and Albert Museum said.
According to the National Museum of China, the volume of the Japanese museum Sen-oku Hakuko Kan is coming out soon and the museum will seek more cooperation from museums worldwide to accelerate(加速) the project.
【小题1】Which of the following best describes Lu Zhangshen’s attitudes towards the Chinese Ancient Cultural Relics Abroad book project?
A.worthwhile but expensive
B.reasonable but worthless
C.meaningless but hard
D.meaningful but difficult
【小题2】Which of the following statements is NOT True According to the text?
A.So far, Volumes Victoria, Albert Museum and the Japanese museum have been published.
B.A great many ancient Chinese artifacts have been distributed(分散) worldwide due mainly to wars and smuggling.
C.It is nearly ten years since the Chinese Ancient Cultural Relics Abroad book project was set up.
D.At present, collecting information for every piece from each museum is to some degree tough.
【小题3】The main purpose of the passage is to ________.
A.compare and evaluate
B.inform and explain
C.argue and discuss
D.examine and explain

同类题4

   If anyone knows what makes a great children's book,it must be Sussex author and illustrator(插图画家)Jane Hissey. Her "Old Bear" books have achieved classic status in a variety of formats.

I met Jane at her home in the East Sussex countryside and asked her what she thought the secret of a classic children's book was. "That's a difficult one, I suppose it has got to be related to children's stage of development-for young children, pictures on a page that are familiar; for older children, an experience. The book should be familiar, but hold some surprises too to keep the interest. It must inspire and delight them, but there are the things that happen every day."

After the birth of her first child, she gave up teaching and worked on her own artwork, drawing pictures of teddy bears. An editor from a publishing company saw her work and invited Jane to do a children's book. Over the years, from the first "Old Bear" book in 1986, her children have made a huge contribution-especially in terms of plots. She said, "I used to give my children the toys to play with-and they had tea parties and so on. One of my bear characters,' Little Bear', is the same age as Ralph, my youngest, who's seven now. All the children have joined in my work and, in years to come, they will realize how much."

"I hope I'll know when people are getting tired of the characters. If ever they did, I think I'd go on drawing them for fun," Jane continued. "My own children have been very useful to me in my work, but as they are older now, I' ll just have to hope that other people's children can inspire me."

【小题1】What is Jane's opinion about a successful children's book?
A.It contains something unexpected.
B.It offers an escape from everyday life.
C.It's more attractive as children get older.
D.It's set in a place known to its readers.
【小题2】Why did Jane take up writing books?
A.She got to know an editor.
B.She hoped to make classic children's books.
C.Her artwork attracted a professional.
D.She wrote stories for her own children.
【小题3】How did Jane's children assist her in her work?
A.By helping her concentrate on her work.
B.By telling her their own stories.
C.By suggesting characters for her stories.
D.By giving her ideas for her stories.
【小题4】What is Jane's attitude towards her future work?
A.Encouraged.B.Uncertain.
C.Tired.D.Disappointed.

同类题5

   My name is Jane Eyre and my parents died when I was a baby. For ten years I lived a(n) _____ life with my aunt and cousins who treated me unfairly. My cousins teased me and my aunt never showed me any _____. The only person who cared about me was the maid, Bessie. One day my cousin John shouted at me, "You should go and beg, not live with _____ folks like us!"After fighting with him I was locked in a room, where I _____ for hours crying.
Things _____ the same until a tall gentleman called Mr Brockehurst came to visit. My aunt told me that I was going to a school owned by the gentleman. "Train her to be _____ and modest,"said Aunt. Two days later I _____ my home.
At first my _____ at Lowood School was hard. The food was bad and I was often cold but I made _____ and enjoyed studying. But after an illness killed several students, new owners ______ the school and my life improved. Six years later I ______ a teacher and was very happy. But eventually I felt that I should explore more of the world and found a job as a private teacher in a ______.
Before I left Lowood, I was ______ by Bessie, who told me that seven years ago my father's brother had come looking for me but left again to go abroad. "He looked like quite a gentleman,"said Bessie. I ______ if he would ever look for me again.
My new life ______ at Thornfield Hall, a large country house, where I ______ a little girl called Adele. She was the adopted daughter of the owner of the house, Mr Rochester. He ______ stayed at Thornfield and ______ my time was mainly spent with Adele and the servants. My life was quite ______ now although there was something ______ about my new home. Often I heard odd sounds come from the top floor of the house.
【小题1】
A.merryB.innocentC.miserableD.comfortable
【小题2】
A.foodB.loveC.methodD.schooling
【小题3】
A.richB.friendlyC.troublesomeD.wise
【小题4】
A.hesitatedB.stayedC.livedD.disguised
【小题5】
A.appearedB.workedC.seemedD.remained
【小题6】
A.patientB.aggressiveC.usefulD.cautious
【小题7】
A.restoredB.reachedC.leftD.sold
【小题8】
A.complaintB.lifeC.dreamD.study
【小题9】
A.noiseB.friendsC.mistakesD.comparison
【小题10】
A.took overB.took upC.took offD.took away
【小题11】
A.knewB.metC.becameD.recognized
【小题12】
A.schoolB.homeC.libraryD.county
【小题13】
A.overlookedB.visitedC.broughtD.required
【小题14】
A.wonderedB.guessedC.concludedD.contradicted
【小题15】
A.differedB.continuedC.startedD.faded
【小题16】
A.caredB.taughtC.admiredD.raised
【小题17】
A.alreadyB.hardlyC.alwaysD.never
【小题18】
A.yetB.soC.stillD.though
【小题19】
A.happyB.hardC.unfortunateD.unsatisfying
【小题20】
A.interestingB.memorableC.instructiveD.strange