阅读下面的文字，完成小题。

知其白而守其黑：国画之美生根于中国文化

范曾

    天籁、神韵、简朴是中国文化的源头，国画产生于中国文化之中。

    中国文化很注重天人合一。这种特质造就了中国文化的开放性、包容性和启智性。对中国绘画而言，中国文化的启智性是非常重要的。中国绘画不需要像西方文化那样严格的逻辑分析，而需要的是感悟力。一方面，要遵循自然之道，体会天地大美。天地山川、草木虫鱼都有其自身之美、有它运行的目的，中国绘画就是要你去体会这种美、这种内在目的性，然后将其运用到笔墨中，表现出来，而不需要你问“这树长在这儿对不对”“这老鼠怎么比南瓜还大啊”……另一方面，天地大美只有通过感悟才能转化为人类的美感。明代“心学”流派的重要代表人物王阳明在《传习录》中写道：一朵花在深山开放，你不知道它存在，可是当你看到这朵花的时候，这朵花的颜色、形态就渐渐显现出来，它果然是个美艳的存在。

    中国文人讲“气韵生动”，其中的“韵”并不是单纯的作诗时押韵的“韵”，意义更为丰富饱满，注重的是创作主体（无论是艺术家还是诗人）对于宇宙惯有的一个诗性的判断。天地大美自然而生，可是也需要画家对其有诗性的判断、有所感悟才会于人有意义。所以，当中国人的智慧和感悟在哲学上的体现用到绘画上来的时候，绘画就受益无穷了。老子哲学里有“知其白，守其黑”，说的是深知本性洁白，却守持混沌昏黑的态势，这就是中国人的思维，也正是国画美之所在。笔墨加上宣纸就是黑和白，只有维持黑白间比例的平衡和谐才能守住国画的这种美。中国禅宗讲，“妙悟者不在多言”。王维在《山水诀》中将此视为对山水画的要求，其实，这是对整个中国绘画的要求——以少许胜多许，以最简练的语言表现最丰富的内容。

    中国绘画就是“有无相生”之道的形象体现，笔墨的“有”和画面空白的“无”相互辉映才造就了国画之美。

    元代山水画家倪瓒的画就非常注重黑白间的比例，比如他的《容膝斋图》，几棵小树，一个茅亭，朦胧的远山，没有人物，没有动态。然而，你一看就能感受到一种淡淡的哀愁，一种天荒地老式的沉默和寂寞。

    八大山人画的鸟，蜷曲着身子，寥寥几笔，把鸟的全部内在生命表达得淋漓尽致。他的画已经撇除了一切的繁文缛节、一切的矫揉造作和一切的事功媚俗，剩下的只有“士气”的符号，简捷清纯、精微广大、高明中庸。

    中国画的这种简结丰润源远流长，早在远古时期陶瓷上的绘画就有体现。猪纹陶钵属于河姆渡文化时期，但刻画在陶罐上的猪极富神韵。大量的留白、相当简单的细条，却将猪那种神情、动态刻画得栩栩如生，能引发你无尽的联想。

    人面彩陶瓶属于五千年前的仰韶文化时期。这个作品反映的是远古先民的一种思考状态，你可以看出他在思考，你看他的眼睛里若有疑惑，可是这个疑惑又混混沌沌，让人感到没有答案而有所茫然。这个茫然体现出一个童稚的天真。还有，嘴边那个酒窝在那儿，像一个很憨厚的人，混沌、茫然、天真、憨厚、简朴。从这个简单的作品中，我们看到了天籁、神韵、简朴。这就是我们文化的源头，这种对于艺术的感悟、对于“微言大义”的追求流传了几千年，深深地扎根于中国的国画之中。

为限制各国碳氧化合物的排放量，京都会议通过了《____》，规定各国在2008—2012年间要将温室气体的排放总量在1990年排放总量的基础上削减5.2％。

下列固体中有一种物质的颜色与其它三种物质的颜色有较大差别，该物质是（　　）

下列判断正确的是（  ）

    Walt Disney is credited for creating such wonderful things as Donald Duck and Mickey Mouse. However, he cannot take the credit for creating other well-loved characters, such as Cinderella and Snow White. They are almost automatically associated with Disney because Disney turned old fables(寓言) into cartoon movies.

    The original Cinderella varies very much from the Disney version we know today. It started off with the girl mourning her mother's death and going to her tomb three times a day. In addition, there were only birds that helped Cinderella; there was no such thing as a fairy godmother or helpful mice, nor was there mention of a horse and carriage.

    The stepsisters were cruel: they always threw Cinderella's food into the ashes of the fire and made her sleep on the ashes on the floor, hence（因此）her name.

    In the original story, the king's ball actually lasted for three days. With the help of the birds, the girl, beautifully dressed, danced with the prince on all three nights and the prince fell in love with her. However, she broke away from him to rush back home each night. On the last night, the prince placed soothing sticky on the stairs; as Cinderella made her escape, a shoe got stuck on it.

    Here now is where the story becomes unpleasant: when the prince went to the house looking for the girl whose foot fit the shoe, the wicked(邪恶的) stepmother told one of her two daughters to cut off her big toe to fit into the shoe. The daughter did as told. So the prince took her away to be his bride. But when they passed the tomb of Cinderella's mother, the birds called out to the prince,

    “Turn and peep, there's blood in the shoe;the shoe is too small, the true bride waits for you.”

    Realizing he had been tricked, the prince returned the daughter to her mother. The other then had to cut off part of her heel in order to fit into the shoe, with the same result. Only Cinderella's foot fit perfectly and so the prince chose to marry her. The story ends with the wedding day: as Cinderella's two stepsisters followed her, pretending to be devoted to her so that they could enjoy the king's riches, two birds flew by and plucked(啄) out their eyes. Because of their wickedness and falsehood, they had to spend the rest of their days blind.

    The original Cinderella is so different from the Disney version. Thank goodness Disney made such changes; it indeed was a wise move.