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        The stories we share with one another are important. They show wisdom and provide inspiration. They are important to our development. But sometimes people choose not to tell.

        Consider the negative effects of not sharing a story in the news: People are wondering if public health officials are holding back too much information about the recent outbreak of Ebola.

        There is a danger in holding back stories that ought to be told. Bobette Buster said it like this, “The fact is, history has shown us that stories not told can become like a dangerous genie (妖怪) left in a bottle. When they are finally uncorked,_their power to destroy is set free.”

        There are a number of reasons why we hide parts of our story: they often show our weaknesses or expose our disadvantages;they require courage and strength to share; and of course, there are some stories that should be kept secret—especially those that embarrass someone else.

        Most of us have two selves: the one we display on the outside and the one we actually are on the inside. And the better we get at hiding the stories that show our true selves, the more damage we may be causing to ourselves and to others.

       Honesty and openness is important:It proves we are trustworthy. It displays we are human. We are not perfect or better. It highlights the importance of hard work and personal development. Hard work may not allow us to overcome our disadvantages completely. But with hard work, we do not have to be restricted to our mistakes.

        Does this mean we admit every weakness, every disadvant­age and every secret regret to everybody we meet? No, of course not. There is a time and a place and a certain level of relationship necessary for some stories to be told in an appropriate manner. 

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失根的兰花

陈之藩

    ①先生一家约我去费城郊区的一个大学里看花。汽车走了一个钟头的样子,到了校园;校园美得像首诗,也像幅画。依山起伏,古树成荫,绿藤爬满了一幢幢小楼,绿草爬满了一片片坡地;除了鸟语,没有声音。像一个梦,一个安静的梦。

    ②花圃有两片,里面的花,种子是从中国运来的。一片是白色的牡丹,一片是白色的雪球;如在海的树丛里,闪烁着如星光的丁香,这些花全是从中国来的呀!由于这些花,我自然而然地想起北平公园里的花花朵朵,与这些简直没有两样;然而,我怎么也不能把童年时的情感再回忆起来。我不知为什么,总觉得这些花不该出现在这里,它们的背景应该是今雨轩,应该是谐趣园,应该是故宫的石阶,或亭阁的栅栏。因为背景变了,花的颜色也褪了,人的情感也弱了。泪,不知为什么流下来。

    ③十几岁,就在外面漂泊,泪从来不曾这样不知不觉地流过。在异乡见过与童年完全相异的东西,也见过完全相同的花草;同也好,不同也好,我总未因异乡事物而想过家。到渭水滨,那水,是我从来没见过的,我只感到新奇,并不感觉陌生;到咸阳城,那城,是我从来没有见过的,我只感觉到它古老,并不感觉伤感。我曾在秦岭捡过与香山上同样红的枫叶,在蜀中我也曾看到与大庙中同样的古松,我也并未因而想起过家。我曾骄傲地说过:“我,到处可以为家。”

    ④然而,自至美国,情感突然变了;在夜里的梦中,常常是家里的小屋在风雨中坍塌了,或是母亲的头发一根根白了;在白天的生活中,常常是不爱看与故乡不同的东西,而又不敢看与故乡相同的东西。我这时才恍然悟出,我所谓的到处可以为家,是因为蚕未离开那片桑叶;等到离开国土一步,即到处不可以为家了。

    ⑤花搬到美国来,我们看着不顺眼;人搬到美国来,也是同样不安心;这时候才忆起,故乡土地的芬芳与故乡花草的艳丽。我曾记得,8岁时肩扛小镰刀跟着叔叔下地去割金黄的麦穗,而今这童年的彩色版画,成了我一生中不朽的绘画。

    ⑥古人说“人生如萍”──在水上漂流;那是因为古人未出国门,没有感觉离国之苦,萍还有水可依;以我看:人生如絮,飘零在此万紫千红的春天。

    ⑦宋末画家郑思肖画兰,连根带叶均飘于空中。人问其故,他说:“国土沦亡,根着何处?”国,就是根,没有国的人,是没有根的草,不待风雨折磨,即自行枯萎了。

    ⑧我十几岁就无家可归,并未觉其苦。十几年后,祖国已破,却觉出个中滋味了。不是有人说过“头可断,血可流,身不可辱”吗?我觉得,应该是“身可辱,家可破,国不可亡”。