题干

根据观察鸡蛋结构的实验和下图,回答下列问题。

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同类题2

    In the city of Fujisawa, Japan, lives a woman named Atsuko Saeki.When she was a teenager, she1of going to the United States. Most of what she knew about American2was from the textbooks she had read. “I had a3n mind:Daddy watching TV in the living room,Mummy4cakes and their teenage daughter off to the cinema with her boyfriend.”

    Atsuko5to attend college in California. When she arrived, however, she found it was not her6world. “People were struggling with problems and often seeme7”, she said. “I felt very alone.”

One of her hardest8was physical education. “We played volleyball,” she said. “The other students were9it, but I wasn’t.”

    One afternoon, the instructor asked Atsuko to10the ball to her teammates so they could knock it11the net. No problem for most people, but it terrified Atsuko. She was afraid of losing face12she failed.

A young man on her team13what she was going through. “He walked up to me and14, ‘Come on. You can do that.’”

    “You will never understand how those words of15made me feel...Four words: You can do that. I felt like crying with happiness.”

    She made it through the class. Per haps she thanked the young man;she is not16.

    Six years have passed. Atsuko is back in Japan, working as a salesclerk. “I have17forgotten the words,” she said. “When things are not going so well, I think of them.”

    She is sure the young man had no idea how much his kindness18to her. “He probably doesn’t even remember it,” she said. That may be the lesson. Whenever you say something to a person-cruel or kind-you have no idea how long the words will19. She’s all the way over in Japan, but still she hears those four20words: you can do that.

同类题4

阅读下面的文字,回答下列各题。

文章出苦心

    寻思是作文的第一步重要工作,思有思路,思路有畅通时也有蔽塞时。大约要思路畅通,须是精力弥满,脑筋清醒,再加上风日清和,窗明几净,临时没有外扰败兴,杂念萦怀。这时候静坐凝思,新意自会像泉水涌现,一新意酿成另一新意,如是辗转生发,写作便成了人生一件最大的乐事。一般“意兴淋漓”的文章大半都是如此做成。提笔作文时最好能选择这种境界。

    不过这是理想,有时这种境界不容易得到,有时虽然条件具备,文思仍然蔽塞。在蔽塞时,我们是否就应放下呢?抽象的理论姑且丢开,只就许多著名的作家的经验来看,苦思也有苦思的收获。唐人有“吟成一个字,拈断数茎须”的传说。李白讥诮杜甫说:“借问近来太瘦生,总为从前作诗苦”,李长吉的母亲说:“呕心肝乃尔”。佛洛伯有一封信札,写他著书的艰难说:“我今天弄得头昏脑晕,灰心丧气,我做了四个钟头,没有做出一句来,今天整天没有写成一行,虽然涂去了一百行,这工作真难!艺术啊,你是什么恶魔?为什么要这样咀嚼我们的心血?”但是他们的成就未始不是从这种艰苦奋斗中得来。元进山《与张仲杰论文诗》说:“文章出苦心,谁以苦心为?”大家看重“苦心”,于此可见。就我个所能看到的来说,苦心是从不会白费的。思路太畅时,我们信笔直书,少控制,常易流于浮滑;苦思才能拔茧抽丝,鞭辟入里,处处从深一层着想,才能沉着委婉。苦思在当时或许无所得,但在潜意识中,它的工作仍在酝酿,到成熟时可以“一旦霍然贯通”。普遍所谓“灵感”大半都是先经苦思的准备,到了适当的时机便突然涌现。难关可能打通,平路便可驰骋自如。苦思是打破难关的努力,经过一番苦思的训练之后,手腕便逐渐娴熟,思路便不易落平凡。纵遇极难驾驭的情境也可以手挥目送,行所无事。

    大抵文章的畅适境界有两种,有生来即畅适者,有经过艰苦经营而后畅适者。就已成功的作品看,好像都很平易,其实这中间分别很大。入手即平易者难免浮浅,由困难获得平易者大半深刻耐人寻味。这是铅锡与百炼精钢的分别,也是袁简斋与陶渊明的分别。王介甫所说的“看似寻常最奇崛,成如容易却艰辛”,是文章的胜境。