题干

航运价值大,素有“黄金水道”之称的是(    )

A:长江 

B:珠江    

C:松花江

D:京杭大运河

上一题 下一题 0.0难度 选择题 更新时间:2017-02-27 01:45:11

答案(点此获取答案解析)

A

同类题3

任务型阅读

    A lot of kids and adults say they get nervous during social situations. Maybe it's speaking up in class or making a phone call or just trying something new. You might feel butterflies in your stomach, or your heart may beat faster or you get suddenly sweaty. ____ And if fear of being embarrassed or making a mistake is getting in your way, there are some things you can try on your own to help.

    ____

    Experts agree that avoiding situations that make us anxious can actually make things worse in the long run. Getting out of something you didn't want to do might make you feel better in the moment, but you will still feel anxious the next time you're asked to do it.

    Push yourself.

    While leaving your comfort zone isn't easy, it can be very good for you. That's because anxiety tends to go away when you start doing the things that make you anxious.____You might find you have the skills to handle it. And next time you're in that situation you might feel less self-conscious.

    Practice a lot.

    As an experiment, try doing something that makes you nervous.____ Whatever you do, you'll find that it gets easier over time. That's because by practicing the things that make you nervous you are actually improving your ability to easily handle them.

    Relax yourself.

    Instead of trying to relax by watching television or visiting a website, try a deep relaxation practice that has a physical effect on the mind.____

A. Don't avoid something.

B. Being nervous is uncommon.

C. Pay no attention to your original thoughts.

D. Those things are your body's reaction to fear.

E. Start with little things like answering questions in class.

F. So try to face your anxiety and fear and see what happens.

G. For example, doing things like yoga can also help you stay calm.

同类题5

阅读下面的文字,完成下列各题。

    小说作为一种文学形式,属于艺术之范畴,必须具有艺木的终极属性,即诗性。诗性当是小说作为一种文学形式的突出特征。小说必须立足于现实且对现实进行艺术化和文学化处理,而不能直接描摹现实,过度的绝对的“写实”、过分注重“故事性”,则会使其沦为平庸。唯有“艺术的真实”,才能使小说产生强烈的艺术感染力和恒久的魅力,才能使读者感受到浓郁的诗意。而反观当下的小说创作,一些作品过分注重对于真实的开掘和叙写,偏执地沉溺于故事性追求,而缺乏或者忽略将其提纯为艺术的手段和能力,以至于使作品几近于新闻、纪实等体式,在迎合了大众猎艳猎奇阅读心理的同时,却丧失了其原本应有的文学蕴涵和诗性品格。另外,现今某些小说创作者似乎过度热衷于书写“恶”与“丑”,而忽略了对于“美”的发掘。小说并非不可以写“恶”与“丑”,但写的目的应是为了反衬出“美”,而且要注意限度和分寸,过度的书写甚或是带着欣赏的眼光、陶醉的心态去表现“恶”和“丑”,只会使人心生厌恶,从中更不可能感悟到“美”和“诗意”,这显然有悖于文学的审美追求和目的。

    还有必要重视小说的语言。语言能力始终是一位小说创作者必须具备的首要能力,语言水平也始终是标示小说水准的首要特征。而当下某些作家,在创作诗歌、散文时,也许还能重视语言的运用与雕琢,但在创作小说时,由于过分注重故事性,则往往忽视或者漠视语言。这就造成了一些作品语言水准的低下,准确性欠佳,冗长、粗鄙、直露的语言在小说文本中大行其道。语言应该是小说的本体,而不是可有可无的附加物,小说文学性和艺术性的实现、小说诗性的呈现,要借助于语言。语言水平的低下,就是作品文学性和艺术性的低下,容易造成诗性的缺失。小说创作者们应该秉持汪曾祺“写小说就是写语言”的理念来进行小说创作,重视炼字造句,重视叙述语言风格的选取,追求语言的准确性,力求“每一个字、每一句话的无可替代性”。此外,还应充分重视汉语作为表意语言和非形态语言的特点,警惕过度使用“欧化”句法,而应从古代文言文中汲取营养,在简约和内蕴上下足功夫,方能彰显出汉语有别于其他语言的特有魅力,使语言更具诗意,从而整体提升作品的诗性。唯其如此,方能从语言层面上为诗性的建构增加一枚沉重的砝码。

    最后,要注重意象的营构。“意象”是中国古代文论的一个重要范畴,曾是中国古典诗歌中最为出彩的因子。当然,意象并非为诗歌所专属,它广泛存留于各种艺术形式中。如果在小说中能营构出鲜活的意象,必然能够增强其诗性魅力,从而焕发出强烈的艺术感染力。意象应该成为小说内容和意旨的聚合体与浓缩体,它涵盖、表征、提炼小说文本的终极诉求。一个鲜活的意象能够产生恒久的诗意和震撼力,能够在读者的心中芳华常驻,让读者时时品味——正如“交叉小径的花园”之于博尔赫斯,“边城”之于沈从文,“晚饭花”之于汪曾祺,“野地”之于张炜……带给读者的诗意感受和审美冲击力是何其强烈而持久!凡此诗性十足的小说作品,似乎皆离不开一个鲜活而成功的意象。这昭示出意象的营构对于小说诗性建构的重要性。当代小说创作者们应该从中汲取经验,在自己的作品中苦心经营意象,因为意象是主观和客观、现实与抽象的统一体,如果能够塑造出一个鲜活的意象,不仅能够增强作品的诗性,承载更广阔的思想蕴涵,而且能够更好地表达自己的情感和主旨,同时也能够生发出事半功倍的审美效应。

(摘编自仕永波《小说亟待提升诗性品质》,有删改)