题干

培根说:“把学问用于装饰是虚伪,完全依靠学问上的规则断事是书生的怪癖。”这表明(   )

A:实践是获得知识的唯一途径   

B:书本知识要和具体实践结合

C:实践是检验认识真理性的标准

D:书本知识比亲身实践更为重要

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答案(点此获取答案解析)

B

同类题2

阅读下文,完成下列各题。

爱是岁月的书签

    ①从家返回的途中,躺在卧铺上,她打开没看完的书,书签静静地夹在那里。拿下书签刚想夹在书的后面,忽然发现书签上有几行字。她一愣,随及心底涌起巨大的感动。

    ②“孤身在外,遇到选择,不要从利益出发,要从自己内心真正的喜好出发!”

    ③那是母亲的笔迹。离开家乡这么多年,很少回去,即使偶尔回家,也不再带着一本书。可是,母亲依然记得她夹书签的习惯,依然记得在书签上给她留下温暖的只言片语。

    ④她从小就喜欢看书。那时常自己制作精美的书签,看到哪一页,便夹在那儿。而母亲第一次在书签上写字,却是小学四年级时。那时她正看一本《安徒生童话》,那一天正好看到《海的女儿》,回来继续看时,就见到书签上母亲写了一句:“如果你是那条美人鱼,你会怎么做?”那个晚上,她想了这个问题许久,她都为自己的想象力而惊讶。

    ⑤可是,她并没有告诉母亲答案,母亲也没有问她。后来,母亲就常在书签上给她留字,或是提出问题,或是提醒学习,而她,有时也会在书签上写下自己的困惑和疑问,母亲都会及时作答。这成了母女间的默契,平时说话从不说起这些事,而她也常常更换书签。

    ⑥读初中时,她迷上了琼瑶的小说,心中对那些童话般的爱情极为向往,【A】少女的心事也因此绮丽多姿,那么多的悄喜轻愁美丽而又无奈。甚至有一段时间,她有些喜欢上了班里的一个男生,年少的心里便多了一份牵念。那个晚上,写完作业,她打开那本《我是一片云》,看到书签上有字迹:“先成长,先欣赏,再开花,再芬芳。”自从读初中以来,她极少在书签上写下自己的困扰了,而母亲依然能看出她的心事,在最恰当的时间,给予她小小的温暖与帮助。

    ⑦然后的时光就匆忙起来,学习和繁忙,使得整个高中三年,她看书没有以往一年多。常常一本书没看完,便被扔在那里,渐渐遗忘。可是每当想起,重新翻看,依然能看到母亲的话,虽然隔了许久,却是温暖依旧。

    ⑧大学第一年的寒假,她带了许多书回家。而没看几本,便被偶然发现的一件事扰得心思难静。有时想让心沉入书中的情节以忘忧,却是逐字看去,头脑中没有一丝痕迹。《百年孤独》只看了一小半,虽然每天都拿起,可书签依然固定在原来的位置。她在书签上写下了无数个“孤独”,那一天终于看到母亲的回话:“我们一直在!”

    ⑨她又换了一枚书签,写下:“一切都是真的?”隔了一天,她从外面回来,拿起书时,看到母亲的话:“是真的!可一切都在,我们依然,一直,一直。”久久地凝望着那些字,心里便渐渐释然,是的,一切都在,一直。开学离开时,她拥抱了父亲和母亲,这是以往从没有过的举动。而父母的眼中,也闪烁着晶莹。

    ⑩然后是恋爱又失恋,沉默的日子里,以书遣怀,自制的书签依然,故乡却千里,再也没有那些字句慰藉无助的心灵。有一次,她给母亲买了件衣服,便把一把书连同夹着的书签一同寄回。过了些天,果然收到母亲寄回的书,书签上熟悉的字让她有要流泪的冲动:“记住曾经的美好,走向未知的美好。”

    ⑪就在这样琐碎的成长中,她渐渐地成熟,也学会了独自去面对。大学毕业后,工作,成家,依然离母亲遥远,看书的时候便越来越少了,【B】而那些温暖的书签,也是慢慢沉入时光的湖。只在偶尔的旧梦中重来,一枕的旧日美好时光。这次回家,也是为了散心,无论工作还是生活,都面临着重大的选择,她一时不知何去何从。而为了聊解途中寂寞,便带上本书,拿起书,就像从前般,随手做了个书签。

    ⑫此刻,在火车上,她的心里漾着暖暖的感动,就像少年时一般。而和遥远的从前,却又是不同的心境。大一那年的寒假,她无意间得知,自己并非父母的亲生女儿,从那以后,再看到母亲的字,便多了更深一层的体悟和感激。

    ⑬回到自己所在城市的那个晚上,她找出收藏了二十年的那些书签,一一摆放在眼前,静静地看,仿佛一道爱的桥梁,从自己的心开始,延伸向那个遥远人儿的心里。

同类题3

阅读理解

    Filmmaker Jennifer Nelson had to pay $1,500 to have “Happy Birthday to You” sung in the movie she's making. The money went to Warner Music Group, a company that claims to own the copyright on the song. A copyright is the legal right to use or sell a creative product such as a song, a TV show, a book, or a work of art. Warner has claimed the copyright for “Happy Birthday to You” since 1988.

    “I never thought the song was owned by anyone,” Nelson said in an e-mail to The New York Times. “I thought it belonged to everyone.”

    Nelson's movie is a documentary — a film that uses pictures and/or interviews with people to create a factual report of real-life events — and is actually about the history of the “Happy Birthday” song itself.

    Two sisters named Mildred and Patty Hill wrote a song called “Good Morning to All” in 1893. Over a short period of time, people began to sing the words “happy birthday to you” in place of the original lyrics to the tune of the Hill sisters' song.

    A number of history experts say that there is no record of who actually wrote the “Happy Birthday to You” lyrics. Historians also say there is no way to know when the general public began singing the “Happy Birthday” song, but they believe it was being sung by the public long before it was printed and owned by a company.

    Nelson's lawyers say this piece of music's history proves that “Happy Birthday to You” belongs to everyone in the general public. That would mean Warner Music Group has no right to charge anyone a fee to sing the song in any setting.

    Experts estimate that Warner/ Chappell, the publishing division of the Warner Music Group, has made about $2 million a year from licensing fees for “Happy Birthday to You.”

    Nelson's lawyers are asking a court in New York City to order Warner/Chappell to return fees they have collected over the past four years for use of the “Happy Birthday” song.