There are countless short videos on YouTube. It's a website for people to post video made by themselves. Many people make a lot of money through doing so. Then, who made the most over the past year?

    YouTube's top-earning celebrity is a 25-year-old video-game-playing young man who shows a strong sense of humor in his videos. He earned $12 million over the past year. Forbes magazine says Sweden's Felix Kjellberg, better known by his handle "PewDiePie", tops its first list of people who have turned short videos into huge piles of cash.

    YouTube stars make money mainly by getting paid to interact with products on their channels and sharing ad revenue(收入) with YouTube. Some also star in movies, write books, go on tour, or sell music. They're a hit with younger audiences and brands trying to reach the next generation of consumers.

    Two acts tied for the second place on Forbes' list, both earning $8.5 million: comedy prankster(搞恶作剧的人) duo Smosh(Ian Hecox and Anthony Padilla) and the Fine Brothers(Benny and Rafi Fine). Dancing violinist Lindsey Stirling ranked fourth with $6 million. Tied for fifth were comedians Rhett and Link(made of Rhett McLaughlin and Charles Lincoln III) and video game commentators(解说员) Olajide Olatunji, known as "KSI," with $4.5 million. Make-up artist Michelle Phan was seventh at $3 million. The No. 8 place was a three-way tie at $2.5 million shared by comedian Lilly Singh, or "Superwoman;" prankster Roman Atwood; and chef Rosanna Pansino.

    Forbes is best known for its list of billionaires and this list marks its first attempt at ranking YouTube stars. It says it measured earnings before management fees and taxes and came up with the figures based on data from online sources such as Nielsen, IMDb and interviews with managers, lawyers, industry insiders and the stars themselves.

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我爹
我爹，自打我出生就玩命挖掘我的优长——
我刚出世四个年头之后，估计他嫌我又瘦又小，开始带我打羽毛球，一打打了八年。打到我们可以用一个小时的时间边走边传球，从家门口一直传到松花江畔再传回来，而球不许落。打到他喊“肚子”，我就必须把球打到他肚子上，他喊“鼻子”，球就得上他鼻子。打到我完全可以不看球，只看他挥盘的方向、用声音判断他的力度就能接到。打到我感觉自己像一部机器而非人类，不堪忍受奋起反抗，终于终止了这项运动。
听说我嗓子好，他让我娘教我识谱，并翻出来他做音乐老师时用过的教材，让我学唱不同民族风格的代表作品。只要一有亲友的聚会，他就逼我当众唱歌。偏逢我从小脸皮儿薄，干唱的话，腿抖；有麦克风唱，手抖；还没唱呢，只一想，就心慌意乱，手心出汗，并且冰凉——着实是生不如死！所以每每在大家掌声雷动了两三次之后，就只能听见我们爷俩的相互指责声而绝非我的歌声。
我进了哈尔滨话剧院，听说当演员要全面发展，老人家说：“艺多不压身。”便买了一台切尔钢琴冲我无比期冀的笑。今年，是该钢琴落户我家的第十个年头，基本上到目前为止，我爹始终是它的孤独的演奏者。
战友话剧团的领导同志们喜欢让我写各种汇报文案，并想在此方向上重点予以培养。可惜我不喜欢，百般逃避。我那消息灵通的爹呀，却大老远寄来两本书《公文写作技巧》，恨得我只想把书烧成灰……
不知不觉，我快而立了。世界发生了巨变，我也产生了小变。
现在的我有点爱显摆，经常把练羽毛球的经历当作吹嘘的资本，在茶余饭后讲给各路朋友。别人打球，我看不上，结果自己荒废太久，真挥起球拍，意识尚存，体力不支。
我依然不好意思当众唱歌，但专门喜欢在KTV抱着麦克风给别人配和声。没人的时候吧，美声唱法更是我的最爱，前两年开始，又疯狂的迷上了原生态，高兴了还当着大伙的面吼上一段信天游，心里头那个美呀！
当兵最难熬的日子里，跟不待见我的队长赌气，在排练场的钢琴键盘上贴上简谱，生生用了一个礼拜弹会了《乡愁》。如今，就是逛商场，我也会行家般的在钢琴前驻足，摸摸这，看看那，然后信手一弹。马上就能听见售货员的逢迎：“先生您弹得真好！”然后我微微一笑，合上琴盖，轻描淡写的来一句：“嗯，这琴还行，高低不错。”并赶在售货员说：“那您买吗？”之前消失掉。
公文，倒是誓死都不写，可写开了博客，也写开了剧本。“写开”不是结果，写得难看没人拍更是必然，关键是慢慢发现，我这种内向性格的族群需要找一个恰当的情绪宣泄的载体，文字正好可以让我心静气沉，敲击键盘的声音让我觉得自己特别有文化。
父子之间关系的变化很微妙：顶小的时候崇拜父亲，青春期厌烦父亲，年轻的时候瞧不起父亲，等自己老了以后就会发现，原来身上竟有那么多和他一样、甚至远远不及他的东西：
我爹很倔，我也倔。
我爹好絮叨，我也挺啰嗦。
我爹抓不住重点，我比他更茫然。
我爹能把家里的物品摆得很乱，我不但能让家里乱，自己还懒得洗澡。
我爹逢年过节爱显摆他的儿子，我不分时间不分场合都想向别人证明我自己的能为。
不能再比下去了，忽然很想我爹，还有娘，想到难受。
不知道我的孩子哪年会出现，也不知道我将会怎样的期冀于她/他。苍天，这个东西小时候肯定也会恨我，但愿长大了，能有我的这份心，但愿我自己，作的能比上我爹的一半。

《论语》中阐述学习与思考关系的句子是：____，____。