题干

阅读下面的文字,完成下列小题。

鉴宝

聂鑫森

    在夕阳西下时,五十岁出头的阳欣走出了他下榻的北城宾馆。他的鼻翼有力地翕动了几下,分明嗅到有饭菜的芬香自西边的一条小街飘来,心中一喜:那儿该有个好吃处!

    阳欣是个著名的文物鉴定家,供职于南方的一家省级博物馆。他的强项是古瓷鉴定,已有十几本专著问世。他之所以来到这北地小县,是该县博物馆邀请他来看一看历年库存的一批古瓷器,帮忙“掌掌眼”,以便向公众开放展览。

    阳欣还是个美食家,不但会吃,而且会做,没事时喜欢琢磨各种菜品的制作。家中小院种着许多花草,芙蓉花、晚香玉、马齿苋、荠菜、小青竹……随手采来便可成为菜肴的原料。比如用芙蓉花和豆腐做成“雪霁羹”,洁白的豆腐上飘着淡红的花瓣,真如雪后飞霞;小笋子出土时,拔几根洗净去皮,切成细段,下油烹炒后,再打两个鸡蛋,煎出黄中泛翠的“金镶玉”。至于各种禽兽之肉,他都有妙法烹饪。朋友称他是“儒厨”,因为他做的菜既有书卷气,也有诗的想象,调和五味,管领水火,一般的烹饪师难以比肩。

    他七弯八拐走进了这条小街,从油烟味中知道这些小饭馆多以牛羊肉为主要菜料。北地多牛羊,取之方便,但不知烹饪的怎样。他喜欢清静,便走进了街尾的一家门脸很小厅堂很小且没有一个客人的“习均羊肉馆”。刚到门前,一个二十多岁的小伙子迎了上来,殷勤地说:“先生,里面请。”

    阳欣看了看小伙子,眉清目秀,周身上下也干干净净,就点了点头,跟着走进了厅堂,挑一张桌子,坐下来。小伙子手脚麻利地泡上茶,然后递上单薄的菜单。阳欣猜测,这小饭馆的名字应该是小伙子的名字,这冷清劲说明生意不好,只好老板、厨师、跑堂一肩挑。

    阳欣扫了一眼菜单,说:“我先点个焦酥羊肉,来二两酒,好吗?”习均喊声“好咧”,进厨房去了。随即,厨房里的刀、砧、锅、勺也响了起来。过了一阵,一大盘焦酥羊肉端了上来,还有一把小酒壶和一只小酒杯。阳欣斟上酒,不忙着喝,先举筷夹了一块焦酥羊肉放进口中,细细品嚼,嚼着嚼着,他眉头皱起来了,然后把筷子重重一搁,叫道:“小习,你来!”

    小习慌忙跑出来,毕恭毕敬地站着。

    “这不行,焦过头了,有糊味;却又不酥,咬着粘牙,你得重炒!”

    小习和气地说:“先生,对不起,我重炒,您稍候。”焦酥羊肉再次端上来时,阳欣又尝了尝,依旧说:“难以下咽,谁教你的活?”

    “一个乡下厨师,还花了两千元拜师钱哩。先生,我再炒一次试试。”

    阳欣叹口气,说:“你是个老实厚道人,就别浪费材料了。你到街上去买几个小秋梨来,今儿我反正也没事,教你几招。”

    习均飞快地去买了梨来。

    阳欣系上围腰,走进了厨房。厨房很洁净,各种菜料、配料、调料摆放得井井有条,这让有了一种“技痒”的感觉。

    先炒焦酥羊肉。阳欣取一块肚条羊肉,去骨,烙取残存的毛后用温水浸泡一阵,再刮洗一净,升起猛火,放入锅里烹煮。煮熟后捞出来又清洗一遍,装入盆内(皮朝下),放入盐、糖、拍破的葱和姜,还有桂皮、料酒……

    阳欣接着做梨丝爆羊肉。习均记住了,切条的羊肉爆炒到快出锅时,才将洗净切好的粗梨丝放入,铁铲搅拌几番,赶快入盘,又香又脆,这条街上没有这道菜。

    习均特意寻出一瓶茅台,一老一少,坐在小厅堂里边吃边聊。

    临走时,阳欣搁下五百元钱,说:“你不要推辞,先放下。庖厨虽小艺,却不可不读书明理。你先把这两道菜推出去,准火!明天傍晚我再来,再教你做两道菜。”

    四天过去了。第五天的傍晚,阳欣没有来!习均想:只知道这个人叫阳欣,住在北城宾馆,是那里的大厨师吧?明天上午一定去找找他。

    北城宾馆没有叫阳欣的厨师!习均却从住房登记册上看到订房间的单位是县博物馆,便又赶快去了那里。

    年轻的馆长听了原委,哈哈大笑。

    “习均,你遇到高人了。他是文物鉴定专家,不到一个星期,把馆里的古瓷都鉴定了一遍。还会鉴人,说你是个可以造就的厨师,所以要帮帮你。”习均楞了,然后问:“阳先生呢?”“他家里有事,匆匆回南方去了。他给你用宣纸写了个匾额,又用小楷字写了一叠菜谱,托我交给你,还嘱咐我们,如上馆子就到你那里去。制匾的钱,他也留下了。”

    习均展开了一张四尺宣纸,上写六个隶字:一街香羊肉馆。落款是:湘人阳欣。

    习均的手抖动起来,泪水涌出了眼眶。

上一题 下一题 0.0难度 选择题 更新时间:2018-05-18 04:01:10

答案(点此获取答案解析)

同类题3

根据短文内容,选择最佳答案。

Creative Writing Summer School

2-15 August 2015

Study at one of the world's leading universities

About the Creative Writing Summer School

    This programme is for those wishing to develop their existing creative writing skills, either for eventual professional use, or out of personal interest.Workshop courses take place twice a day.In a series of plenary(全体出席的)lectures (each morning, and on some evenings), novelists, poets and writers of creative non-fiction discuss their own work and the art of writing.Plenary lectures are designed to expand students' understanding of their own creative options.Students will expected to complete daily writing tasks outside classroom hours; the resulting work will form the primary focus of the workshops.

What will I be studying?

    Workshop courses focus on practical writing skills and critical reflection; there are specialist options in fiction; creative non-fiction and poetry, and writing for stage and screen, as well as a more broadly-based writing course.

Who can apply?

    The programme is open to university students, literature teachers, professionals and those with other life experience; gap-year students preparing for university may also apply (students must be accompanied by a parent/ guardian if under 18 when the programme starts).Participants must also meet the language requirements specific to this programme and will be asked to provide a 300-400 word piece explaining their reasons for applying.

Who will be teaching me?

    Courses are taught by a combination of published writers associated with the School of Continuing Education, Peking University and by guest subject specialists from beyond the university.

Where will I stay?

    Participants can stay in the School of Continuing Education, Peking University, close to the teaching sites and city Coventry.

How do I apply?

    You can download an application form or apply online.

    Find out more: www.sce.pku.edu.cn