阅读理解
If Frida Kahlo（1907-1954） is today one of the best-known and most popular figures of 20th-century, Mexican art, it is undoubtedly because of her personality and the originality（独创性）of a body of works. Her work is, above all, the expression of a real life－a tragic and stormy life, one that challenged all conventions. The mere mention of her name excites enthusiasm and admiration, but her work is rarely exhibited, and has not been shown in France for fifteen years. The selection to go on show at the Musee de L'Orangerie includes major works by the artist, with masterpieces from the Museo Dolores Olmedo.
The life and work of Frida Kahlo cannot be separated from those of her companion Diego Rivera（1886-1957）. Together they became figures of legend, and both have a place in the pantheon of 20th-century Mexican artists. Famous for his large wall paintings, Rivera's easel paintings, drawings and prints, which form a large part of his artistic production, are less well-known to the public in Europe. The exhibition aims to trace his artistic career from the early Cubist images, revealing his links with the Paris artists whose works are a key element in the Orangerie collections, to the paintings that established him as the founder of the 20th-century school of Mexican art. His travels throughout Europe influenced his vision and his skills without ever distancing him from his roots, thus confirming his place in history as the founder of the nationalist school.
The exhibition devoted to the legendary couple Diego Rivera and Frida Kahlo presents their works together, as if to confirm the impossibility of their divorce that was in fact finalized（定下来）but reconsidered after just one year apart. It also gives us a better view of their respective artistic worlds, so different and yet so complementary（互补的）, through the deep-rooted attachment they shared to their country.
一步调整完善保障机制有关政策，加大投入力度，提高保障水平。国家的做法坚持了（ ）