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观刈①麦

白居易

田家少闲月,五月人倍忙。夜来南风起,小麦覆陇黄②。

妇姑荷箪食③,童稚携壶浆,相随饷田④去,丁壮在南冈。

足蒸暑土气,背灼炎天光,力尽不知热,但惜⑤夏日长。

复有贫妇人,抱子在其旁,右手秉遗穗,左臂悬敝筐。

听其相顾言,闻者为悲伤。家田输税尽,拾此充饥肠。

今我何功德,曾不事农桑。吏禄三百石,岁晏⑥有余粮。

念此私自愧,尽日⑦不能忘。

【注释】①刈(yì):割。②覆(fù)陇(lǒng)黄:小麦黄熟时遮盖住了田埂。覆,盖。陇,同“垄”,指农田中种植作物的土埂,这里泛指麦地。③荷(hè)箪(dān)食(shí):用竹篮盛的饭。荷,背负,肩担。箪食,装在竹篮里的饭食。④饷(xiǎng)田:给在田里劳动的人送饭。⑤惜:盼望。⑥岁晏(yàn):一年将尽的时候。晏,晚。⑦尽日:整天,终日。

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    We can achieve knowledge either actively or passively. We achieve it actively by direct experience, by testing and proving an idea, or by reasoning.

    We achieve knowledge passively by being told by someone else. Most of the learning that takes place in the classroom and the kind that happens when we watch TV or read newspapers or magazines is passive. Conditioned as we are to passive learning, it's not surprising that we depend on it in our everyday communication with friends and co-workers.

    Unfortunately, passive learning has a serious problem. It makes us tend to accept what we are told even when it is little more than hearsay (传闻) and rumor.

    Did you ever play the game Rumor? It begins when one person writes down a message but doesn't show it to anyone. Then the person whispers it, word for word, to another person. Thai person, in turn, whispers it to still another, and so on, through all the people playing the game. The last person writes down the message word for word as he or she hears it. Then the two written statements arc compared. Typically, the original message has changed.

    That's what happens in daily life. The simple fact that people repeat a story in their own words changes the story. Then, too, most people listen imperfectly. And many enjoy adding their own creative touch to a story, trying to improve on it, stamping it with their own personal style. Yet those who hear it think they know.

    This process is also found among scholars and authors: A statement of opinion by one writer may be restated as fact by another, who may in turn be quoted by yet another; and this process may continue, unless it occurs to someone to question the facts on which the original writer based his opinion or to challenge the interpretation he placed upon those facts.