题干

21世纪是海洋世纪,海洋经济日益重要,海权问题备受关注。阅读材料,回答下列问题。

材料一:我国古代农业文明发达,投入农业经营的人口占绝大多数,政府的赋税也主要于农业……无论是中国国民,或是政治精英,大多认为国家的利益不在海洋。

材料二:1912年12月,中华民国第一任海军总司令黄钟瑛病逝。有感于当时仍然严峻的海防形势,孙中山先生在其亲笔题写的挽联中发出了“伤心问东亚海权”的时代感叹。

——《近代中国海权问题的历史反思》

海军实为富强之基,彼美英人常谓,制海者,可制世界贸易;制世界贸易,可制世界富源;制世界富源者,可制世界即此故也

——孙中山《十年国防计划》

材料三:21世纪在我国实施海洋战略,具有现实必要性和可行性。中国是世界人口的头号大国,陆地空间不足,资源有限,海洋是今后可持续发展的最后空间。台湾问题的和平解决,必须依赖强大的海上力量作为后盾。中国自北向南,完全处在由岛链形成的半闭海状态,没有强大的海洋力量,就无法保证安全的出海通道。……海上通道和能源安全保障将是21世纪初叶我国面临的又一个新问题。

——《关于21世纪我国东部大海洋战略的思考》

上一题 下一题 0.0难度 选择题 更新时间:2017-05-04 05:01:07

答案(点此获取答案解析)

同类题5

阅读理解

    If Frida Kahlo(1907-1954) is today one of the best-known and most popular figures of 20th-century, Mexican art, it is undoubtedly because of her personality and the originality(独创性)of a body of works. Her work is, above all, the expression of a real life-a tragic and stormy life, one that challenged all conventions. The mere mention of her name excites enthusiasm and admiration, but her work is rarely exhibited, and has not been shown in France for fifteen years. The selection to go on show at the Musee de L'Orangerie includes major works by the artist, with masterpieces from the Museo Dolores Olmedo.

    The life and work of Frida Kahlo cannot be separated from those of her companion Diego Rivera(1886-1957). Together they became figures of legend, and both have a place in the pantheon of 20th-century Mexican artists. Famous for his large wall paintings, Rivera's easel paintings, drawings and prints, which form a large part of his artistic production, are less well-known to the public in Europe. The exhibition aims to trace his artistic career from the early Cubist images, revealing his links with the Paris artists whose works are a key element in the Orangerie collections, to the paintings that established him as the founder of the 20th-century school of Mexican art. His travels throughout Europe influenced his vision and his skills without ever distancing him from his roots, thus confirming his place in history as the founder of the nationalist school.

    The exhibition devoted to the legendary couple Diego Rivera and Frida Kahlo presents their works together, as if to confirm the impossibility of their divorce that was in fact finalized(定下来)but reconsidered after just one year apart. It also gives us a better view of their respective artistic worlds, so different and yet so complementary(互补的), through the deep-rooted attachment they shared to their country.