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    Art is considered by many people to be no more than a decorative means of giving pleasure. This is not always the case, however, at times, art may be seen to have a purely functional side as well. Such could be said of the sandpaintings of the Navaho Indians of the American Southwest; these have a medicinal as well as an artistic purpose.

    According to Navaho traditions, one who suffers from either a mental or a physical illness has in some way disturbed or get in touch with the supernatural—perhaps a certain animal, a ghost, or the dead. To break away from this, the ill person or one of his relatives will employ a medical man called a "singer" to perform a curing ceremony which will attract a powerful supernatural being. During the ceremony, which may last from 2 to 9 days, the "singer" will produce a sandpainting on the floor. On the last day of the ceremony, the patient will sit on this sandpainting and the "singer" will rub the sick or injured parts of the patient's body with sand from a specific figure in the sandpainting. In this way the patient absorbs the power of that particular supernatural being and becomes strong. After the ceremony, the sandpainting is destroyed so its power won't harm anyone.

    The art of sandpainting is handed down from old "singers". The materials used are easily found where the Navaho settle: brown, red, yellow, and white sandstone, which is ground(研磨)much as corn is made into flour. The "singer" holds a small amount of this sand in his hand and lets it flow between his fingers onto a clean, flat surface on the floor, with a steady hand and great patience. He is thus able to create designs of stylized people, snakes and other creatures that have power in the Navaho belief system. The traditional Navaho doesn't allow copying sandpaintings, since he believes the supernatural powers that taught him the craft have forbidden this; however, such reproductions can in fact be purchased today in tourist shops in Arizona and New Mexico. These are done by either Navaho Indians or by other people who wish to preserve this craft.

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奇绅鸿儒刘大鹏

郝岱

    一个普通的晚清文人,在国内“名不出乡里”,但在沈艾娣所著《梦醒子》一书中却被称为“第一奇绅士”。一个农村绅士,何以被冠以“第一奇绅士”的美誉?刘大鹏究竟奇在何处?

    刘大鹏并非是先知先觉的圣贤,聪明过人的天才。刘大鹏在日记中自述“生而顽钝,年七令甫能言。”他七岁才会开口说话。七年不鸣,一呜惊人。童年刘大鹏在私塾先生刘丽中门下读书16年,毕业后,他又先后在太原县桐封书院、太原府崇修书院学习深造10年,仅读书就长达26年。在人生旅途的第一站,他读书时间长达半辈,在当时社会背景下,可谓一奇。

    刘大鹏在刘丽中、杨深秀(戊戌变法六君子之一)等名师的精心培育下,刻苦钻研,勤奋学习,积累了渊博的知识,树立了如何做人做事的高尚道德理念,确立了报效国家和人民的人生观和价值观,为日后创业写作奠定了坚实的基础。刘大鹏完成学业后,就到大谷县南席村当了整整21年的私塾先生,后到太原县女子学校任教十余年,他教书时间又占据了人生的半辈。

    刘大鹛在世85年,在人类的历史长河中可谓一瞬间,他在有生之年既要教书,又要种地,还要经营煤窑,忙里抽闲,用毛笔手抄洋洋34部巨著,亿万字手稿。对儒家经典烂熟于心,能够熟练背诵的经典著作达六十多万字。刘大鹛超人的智慧和惊人的毅力,非凡的创作天才,德高望重的思想品德,实乃奇人奇才也。

    刘大鹏34岁时开始记日记,直到临终前五日,连续写了五十一年的日记。日记真实客观地记叙了清末民初、抗战期间所发生的政治、经济、军事、文化、教育、天文地理、人情世故等,可谓包罗万象,是中国这段历史的缩影,史料珍贵,堪称百科全书,更被山西省图书馆誉为“镇馆之宝”。

    刘大鹏的德才、廉洁名扬省城。阎锡山掌握山西军政大权后,急需人才为其效力,曾多次派人请刘大鹏出山,先生屡屡婉言谢绝,不接受聘任。读书做官,仕人之追求,刘大鹏却是送到嘴边的肉不吃,可谓奇也怪也。

    在人生的旅适中,他一直努力拼搏,曾务农、务工(开煤窑)、经商(租赁餐具、轿等业务)、教书、写书,走完了光辉的人生历程。

1915年,58岁的刘大鹏当选为山西省国民代表大会代表,出席了省议会议员选举大会。有些议员为了拉选票,纷纷向代表行贿或宴请。有参选议员对他行贿,他以“不义之财不可取”的修身之道一一拒绝。世上哪有和钱财有仇有恨之人,唯有刘大鹏既不贪财也不受贿,实属奇人也。

    日寇占领太原县后,狂轰滥炸,烧、杀、抢、奸无恶不作。每当鬼子进村扫荡,村民纷纷扶老携幼逃难时,刘大鹏却视死如归,独自一人留村,并上到屋顶,指天骂日。有一年,日寇的一名军官久闻先生大名,恳请先生为其题写一副条幅,先生冒着杀头的危险,婉言谢绝,日本人无奈,只好灰溜溜地离开。1934年,山西遭受大旱,阎锡山政府的苛捐杂税却有增无减。刘大鹏看到广大民众生活在水深火热中,愤怒至极,他以鲍伯平的化名上书南京中央政府,请求中央政府责令阎锡山减免税收,收到预期效果。

    这几则真实的故事,充分体现了刘大鹏爱国亲民的高尚情操和政治远见,不贪生不怕死的气质和风度,可谓奇人奇事也。

    同声相应,同气相求,同人共乐千秋节;乐不可无,乐不可极,乐事还同万众心。

    这是刘大鹛先生在1897年为晋祠同乐亭题写的一副楹联。2014年3月,***在十二届全国人大二次会议山西代表团讨论会上,谈到改善民生时,现场吟诵多年前在晋祠看到的这副楹联。***日理万机,在众多的晋祠楹联中,竟然熟记刘大鹏的这副楹联,先生的高尚品德和意境,引起总理的共鸣,飘扬五洲四海,实乃奇事也。

(摘编自《文史月刊》2016年第10期)

【相关链接】

①刘大鹏,字友凤,号卧虎山人,著名的地方史学者、地方文化学家。著有《晋祠志》《晋水志》等地方志,尤其是《退想斋日记》,二百多册,五十多万正楷毛笔字,记述了近、现代中国和晋祠发生的重大变迁。

②乡邦文献,关怀有缘,表扬潜德,著进连篇,天不应遗,杀青何年。晋水潺潺,相与呜咽,千秋万祖,其视此锈。

——刘友凤先生碑铭