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    Singapore is building an airport where indoor trees, waterfalls and a 'rain vortex' sit alongside check-in queues, waiting rooms and baggage carousels(传送带).

    Where once sat a car park, there will soon be thousands of trees and plants across 22,000 square metres of landscaped indoor parklands. This will be joined by a 40m-high indoor waterfall, expected to be the world's tallest. These are the plans for the new 3.5 hectare 'Jewel' development at Singapore's Changi Airport, scheduled to open in 2018; a five-story, 134,000 square metre complex, mixing natural outdoor plants with modern airport facilities.

    “The aim behind the introduction of such lush(茂盛的) landscaping is purely to provide all visitors with a memorable experience, one where they are surrounded by nature and greenery,”says Philip Yim, Chief Executive Officer of Jewel Changi Airport Development.

    Promised sustainability(持续性) measures include “extensive usage of photovoltaic panels(光电板)”to produce renewable energy, as well as encouraging the use of natural lighting and a “high efficiency” air-conditioning system.

    The indoor waterfall, named the “Rain Vortex”, will make use of special lighting effects to change at night into what is promised to be a dramatic light and sound show. “The Rain Vortex is one example of how sustainable design plays an important role in the planning of the attraction,” says Yim. 'In the event of a rain storm, the power of the rain water will flow naturally through the oculus. The excess rain water collected will be used for irrigation of the landscaping at Jewel.'

    Yim quotes the popular reputation Singapore enjoys as “the garden city”, where greenery is recognised as an essential part of the urban landscape, an attractive image which clearly inspires Jewel's design.

    However, it remains to be seen whether, beyond the aesthetic (审美的) appeal, Jewel can add genuine environmental things to something as un-environmental as an international airport.

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我说我

迟子建

       ①我生来是个丑小鸭,因为生于冰天雪地的北极村,因此不惧寒冷。小时候喜欢犟嘴,挨过母亲的打。挨打时,咬紧牙关不哭,以示坚强。气得母亲骂我:“让你学刘胡兰哪?”

       ②我幼时淘气,爱往山里钻,爱往草滩钻,捉蝴蝶和蝈蝈,捅马蜂窝,钓小鱼,采山货,摘野花,贪吃贪玩。那时曾有一些问题令我想不明白:树木吃什么东西能生长?树木为什么不像人屙出肮脏的屎尿来?鱼为什么能在水里游?鸟儿为什么能在天空中飞?野花如何开出姹紫嫣红的色彩?如今看来,这些问题我仍旧没想明白,可见是童心未泯,长进不大。

       ③父亲是小学校长,在哈尔滨读的中学,在五六十年代人烟稀少的大兴安岭,他就是秀才了。他吹拉弹唱样样都行,喜欢喝酒,顶撞上司,清高自负,极其善良。因为喜欢曹子建的《洛神赋》,就想当然地把我的名字冠以 “子建 ”二字,幸而我还能写点文章,否则迟家若是出了个叫 “子建 ”的农夫,他起的名字就是一个笑话了。父亲毛笔字写得好,在永安小镇时,每逢春节他都要铺开红纸,饱蘸笔墨书写对联。他鼓励已上初中的我编写对联,我欣然从命,有一些被他采纳后龙飞凤舞地写在纸上,贴在寒风凛冽的户外。看到门楣上贴着的对联内容是由我胡诌的,我便沾沾自喜了。那算是我最早的作品,编辑和发表者是父亲,我没有一文的报酬,读者只限于家人和左邻右舍。

       ④我喜欢小动物,养过一只毛色发灰的野猫,将它的腿缚在椅子上,否则它就乱窜乱跳,比老虎还要威风。我还养过狗。当然,这是些有兴趣的收养。最无聊的是养猪养鸡,这些家禽家家户户都养,没什么特点,尤其是猪,它食量惊人,放学后不得不出去给它采菜回来烀食,把人累得头晕眼花的目的无非是让猪长膘,之后把它杀掉当成美餐分食,而食物又化成了田地的肥料,这样循环往复地一想,便觉无趣,觉得人是世界上最无聊的动物。

       ⑤大自然亲切的触摸使我渐渐对文字有了兴趣。我写作的动力往往来自于它们给我的感动。比如满月之夜的月光照着山林,你站在户外,看着远山蓝幽幽的剪影,感受着如丝绸般光滑涌动的月光,内心会有一种湿漉漉的感觉,这时候你就特别想用文字去表达这种情感。我爱飞雪,爱细雨,爱红霞漫卷的黄昏,爱冰封的河流,爱漫漫长冬的温存炉火。直到如今,大自然给了我意外的感动后,我仍会怦然心动,文思泉涌。

       ⑥我出身的家庭清贫,但充满暖意;我出生之地文化底蕴不深厚,但大自然却积蓄了足够的能量给予我遐想的空间;我的祖父和父亲早逝,亲人的离去让我过早感觉到人世间的沧桑和无常。我明白一朵云聚了会散,一朵花儿开了会谢,河水总是向前流,春夏秋冬,日月更迭,周而复始。大自然的四季轮回,令我们每时每刻都能感受到,让我们明白它们是万古长青的,而人生的四季戛然而止后,我们还看不到人的轮回,只能用心灵去体悟、发现和领会。我渴望着年事已高时能做到“不说人间陈俗事,声声只赞白莲花”,能够在老眼昏花时看到人生真正的绚烂境界,那将是一种大喜悦、大感动。

       ⑦对于生活,我觉得庸常的就是美好的。平常的日子浸润着人世间的酸甜苦辣的情感,让你能尽情品咂。对于文学,我觉得应持有朴素的情感,因为生活是变幻莫测的,朴素的情感能使文学中的生活焕发出某种诗意,能使作家葆有一颗平常心和永不褪色的童心,而这些在我看来都是一个作家最应具备的素质。

                                                                                                                                                                                  (节选自2016.7《读者》)