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    It was a cold night in Washington, D. C., and I was heading back to the hotel when a man approached me. He asked if l would give him some money so he could get something to eat. I'd read the signs "Don't give money to beggars." So I shook my head and kept walking.

    I wasn't prepared for a reply, but he said, "I really am homeless and I really am hungry! You can come with me and watch me eat!" But I kept on walking.

    The incident bothered me for the rest of the week. I had money in my pocket and it wouldn't have killed me to hand over a buck or two even if he had been lying. Flying back to Anchorage, I couldn't help thinking of him. I tried to rationalize (找借口)my failure to help by thinking government agencies, churches and charities were there to feed him. Besides, you're not supposed to give money to beggars.

    Somewhere over Seattle, I started to write my weekly garden column for The Anchorage Daily News. Out of the blue, I came up with an idea. Bean's Cafe, the soup kitchen in Anchorage, feeds hundreds of hungry Alaskans every day. Why not try to get all my readers to plant one row in their gardens dedicated to Bean's? Dedicate a row and take it down to Bean's. Clean and simple.

    The idea began to take off. Readers would fax or call me when they got something in their garden. Those who only grew flowers donated them. Food for the spirit.

    In 1995, the Garden Writers Association of America held their annual convention in Anchorage and after learning of Anchorage's program, Plant a Row for Bean's became Plant a Row for the Hungry. The original idea was to have every member of the Garden Writers Association of America write or talk about planting a row for the hungry sometime during the month of April.

    As more and more people started working with the Plant a Row idea, new changes appeared unexpectedly. Many companies gave free seed to customers and displayed the logo, which also appeared in national gardening publications. Row markers with the Plant a Row logo were delivered to gardeners to set apart their "Row for the Hungry."

    Garden editor Joan Jackson, supported by The San Jose Mercury News and California's nearly year-round growing season, raised more than 30,000 pounds of fruits and vegetables her first year, and showed GWAA how the program could really work. Texas fruit farms donated food to their local food bank after being inspired by Plant a Row. Today the program continues to thrive and grow.

    I am surprised that millions of Americans are threatened by hunger. If every gardener in America--and we're seventy million strong--plants one row for the hungry, we can make quite a decrease in the number of neighbors who don't have enough to eat. Maybe then I will stop feeling guilty about abandoning a hungry man I could have helped.

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      ①我家在林子边上,每当日落黄昏,便有一群美洲画眉鸟来到林间休息和歌唱。那歌声美妙绝伦,没有一件人间的乐器能奏出那么优美的曲调来。
      ②我当机立断,决心捕获一只小画眉鸟,放到我的笼子里,歌声美妙绝伦,
      ③果然,我成功了。它先是拍打着翅膀,在笼中飞来飞去,十分恐惧。但后来它安静下来,承认了这个新家。站在笼子前,聆听我的伟大的小音乐家美妙的歌唱,我感到万分高兴,真是喜从天降。
      ④我把鸟笼放在我家后院。第二天,它那慈爱的妈妈口含食物飞到了笼子前。画眉妈妈让小画眉把食物一口一口吞咽下去。当然,画眉妈妈是知道这样比我来喂它的孩子要好得多的。看来,这是件皆大欢喜的好事情。
      ⑤第二天早上,我去看我的小俘虏在干什么,结果发现它已经无声无息地躺在笼子底层,死了。我对此迷惑不解,不知发生了什么事情。我想,我的小鸟不是已得到了精心的照料吗?
      ⑥那时,正逢著名的鸟类专家阿瑟·威力来看望我的父亲,在我家小住。于是,我就把那小可怜儿的可怕的厄运告诉了他,听后,他作了精辟的解释:“当一只美洲画眉鸟的妈妈发现它的孩子被关进笼子后,就一定要喂小画眉鸟足以致死的毒莓,它似乎坚信它的孩子死了总比活着做囚徒好些。”我听了,大吃一惊。
      ⑦从此以后我再也不捕捉任何活物来关进笼子里,因为我知道:任何生物都有对自由生活的追求,而这种追求无疑是值得肯定的。