完形填空

       An old man was dying. One by one his relatives visited him. Even relatives and friends he hadn't seen for years  1  him to say farewell. They all2their deep love for him. 3   each came to him, the old man held each person by their  4 and spoke to each. To one he said, “Yes, I love you.” To  5  he said, “I go without any ill will.” To a third one he said, “Peace be with you.”

        And so to each person he said such 6  words. Then the old man7Nasrudin (a wise man in the Middle East). When Nasrudin came in, he stood on one side,  8  everyone and listened to what they said and what the dying man said to them. After a while, Nasrudin 9  his hands in the air, and when everyone 10 to hear him, Nasrudin said , “Fools! Why didn't you visit him in his good  11? You didn't love him when he was healthy, but you love him when he is dying!”

      After that, Nasrudin turned to the  12  man and shouted, “Fool! Why didn't you live with such nice feelings all the days when you were13 and fully alive?” With that, Nasrudin left the  14. The old man 15  and said, “At last I’ve heard the   16 . It is a blessing to 17  having heard the truth.” The old man died  18 .

       What about the others? They returned to their  19   business of life and continued as they always had been. And Nasrudin? When he returned to his 20 just outside the old man's house, the donkey made a long high sound, “Hee-haw! Hee-haw!” Nasrudin said, “Yes, I know... You're right... Live well; die well...”

下面的这几组词语中书写全部正确的是第（   ）组。

在平面直角坐标系中，如果抛物线y=2x²不动，而把x轴、y轴分别向上、向右平移3个单位，那么在新坐标系下抛物线的解析式是（  ）

阅读下面文段，完成各小题。

从心所欲不逾矩

莫言

    少时，父亲就经常教育我们兄弟：一定要把字写好！人生来相貌丑陋，或出身贫困，那是没有办法的事。但字写不好，则完全是个人的原因。我父亲认为，只要肯下功夫，肯勤学苦练，就一定能把字写好。从书法艺术的角度来说，我父亲的话不一定正确。因为，一个没有艺术天分的人，无论如何努力，也成不了书法家。但即便是没有任何艺术天分的人，只要肯努力，也会把字写得好看一些。而只要字写得好看，即便不名一文，亦可走遍天下。

    为了说服我们，父亲还举过很多例子。其中一例说我们的一位先祖，去参加县太爷举办的社饮，因衣衫破旧，被那些身着绫罗绸缎的乡绅慢待。酒过数巡之后，县太爷令众乡绅赋诗写字。乡绅们先是相互推让，继而踊跃献技。我那位先祖在一旁冷笑。有人注意到了，便向县太爷汇报。最后的场面是我那位先祖将身上的破棉袄甩掉，赤膊捉笔，饱蘸墨水，不是往纸上，而是往那白粉壁上，尽情地挥洒。一时龙飞凤舞，满壁生辉。不但字好，词也好。于是众人刮目相看。我那先祖也被县太爷请坐上席。

    我这先祖，有一年，去为青州某大户人家写匾。因东家招待不周，心中郁闷。只写了三字，尚余一字未写，即呼手腕病发，不能握笔，然后买驴回乡。东家心中大恼，但看看已经写出的那三个字，的确是好得不得了，只好忍气吞声，备厚礼来请。我那先祖却礼数次，终于答应将那剩下的一个字写完。东家请我先祖上车，我先祖道：“上什么车？”东家道：“去写那个字啊。”我先祖笑道：“写一个字，何必跑那么远？”言毕，从炕席下抽出一片纸，用一块破瓦片磨了一点墨，从墙角捡来一支秃笔，蘸墨挥毫，顷刻便成。见东家面有狐疑之色，我那先祖道：“拿回去贴上吧，若有丝毫差错，我从今往后就不写字了。”

    时隔多日，远隔数百里，只写一个字，如何能保持与那三个字的风韵、气势、大小的统一性？对此疑问，我父亲的解答是：“他已经把手‘靠’死了！”“靠”字是我故乡土语，大意是经过长期训练，手上已经有了感觉。也就是孔夫子所说的“随心所欲不逾矩”。很可惜现在已找不到我先祖所写的字，因而也就无法领略他写得到底有多么好。尽管我没能在书法方面下功夫，但通过我父亲这种讲故事式的教育，还是使我从小就对书法多了一些兴趣，对能写出一手好字的人自然也格外地尊敬和羡慕。