题干

“儿童急走追黄碟,飞入菜花无处寻”.美丽的蝴蝶是由“毛毛虫”变成的.“毛毛虫”在蝴蝶一生中所处的时期应该是(  )

A:受精卵

B:幼虫

C:蛹

D:成虫

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答案(点此获取答案解析)

B

同类题3

阅读理解

    If Frida Kahlo(1907-1954) is today one of the best-known and most popular figures of 20th-century, Mexican art, it is undoubtedly because of her personality and the originality(独创性)of a body of works. Her work is, above all, the expression of a real life-a tragic and stormy life, one that challenged all conventions. The mere mention of her name excites enthusiasm and admiration, but her work is rarely exhibited, and has not been shown in France for fifteen years. The selection to go on show at the Musee de L'Orangerie includes major works by the artist, with masterpieces from the Museo Dolores Olmedo.

    The life and work of Frida Kahlo cannot be separated from those of her companion Diego Rivera(1886-1957). Together they became figures of legend, and both have a place in the pantheon of 20th-century Mexican artists. Famous for his large wall paintings, Rivera's easel paintings, drawings and prints, which form a large part of his artistic production, are less well-known to the public in Europe. The exhibition aims to trace his artistic career from the early Cubist images, revealing his links with the Paris artists whose works are a key element in the Orangerie collections, to the paintings that established him as the founder of the 20th-century school of Mexican art. His travels throughout Europe influenced his vision and his skills without ever distancing him from his roots, thus confirming his place in history as the founder of the nationalist school.

    The exhibition devoted to the legendary couple Diego Rivera and Frida Kahlo presents their works together, as if to confirm the impossibility of their divorce that was in fact finalized(定下来)but reconsidered after just one year apart. It also gives us a better view of their respective artistic worlds, so different and yet so complementary(互补的), through the deep-rooted attachment they shared to their country.

同类题4

阅读课文,回答问题

    我们家的房子紧挨着森林。

  一只松鼠跑进我们家来,很快就跟我们相熟了。它整天满屋乱跑,在橱柜和架子上跳来跳去,动作灵活得惊人,从来没有碰掉过一样东西。

  爸爸的书房里,挂着一副从森林里捡来的大鹿角。松鼠常常跳到上面去蹲着,就像蹲在树枝上似的。

  它特别爱吃甜食,经常跳到我们肩膀上要糖吃。有一回,餐柜里的方糖不见了,妈妈把我们几个孩子叫去问,我们谁也不知道。爸爸说我们不诚实,一星期不许吃糖。

  松鼠跟我们一样,一个星期没有吃到糖。

  有时,松鼠跳到我的肩上,用小嘴蹭我的脸,还轻轻咬我的耳朵,我想它是又想吃糖了。可我又上哪儿给它找去呢?

  有一天,午饭后,我正静静地坐在沙发上看书。忽然看见松鼠跳上餐桌,叼起一块面包皮,跳上了大柜顶。过了一会儿,它又来叼走了一块。

  我踩着椅子往大柜顶上瞧,那儿放着妈妈的一顶帽子。我拿起帽子,不由得大吃一惊——那帽子下面什么都有!方糖,纸包糖,还有面包皮和各种各样的小骨头……

  我马上跑去告诉了爸爸:“原来松鼠才是我们家那个不诚实的孩子!”

  爸爸哈哈大笑,说:“我怎么没想到这一点呢!咱们家的松鼠是在储备冬粮呢。森林里的松鼠到了秋天,就要开始储备冬粮。这是松鼠的天性,咱们的松鼠自然也不甘落后!”

  爸爸在餐柜门上装了个小钩子,免得松鼠钻进去。但是松鼠继续千方百计地贮(zhù)存冬粮。一见面包皮、榛子、核桃、小骨头什么的,马上叼走藏起来。

  有一天,我们到森林里采蘑菇,回到家时累极了,草草吃了饭就睡了。满满一篮子蘑菇就放在窗台上——那儿比较凉快,放一夜不会坏。

  第二天早晨,我们惊奇地发现篮子空了。蘑菇都到哪儿去了?

  爸爸忽然在书房里惊叫起来:“快来看!”我们跑过去,眼前的景象真是让人哭笑不得:墙上的那副鹿角上挂满了蘑菇;不仅鹿角上,搭手巾的架子上、镜子后面、油画上面,到处是蘑菇。原来松鼠起了个大早,忙活了一个早晨,把蘑菇全晾上了。它想晾干了留着给自己过冬。

  秋天,当阳光还温暖地照耀着大地的时候,森林里的松鼠总是把蘑菇高高地挂在树枝上晾干。我们家的松鼠也这样做了。

  过了些日子,天气真的冷了起来。松鼠尽量钻到暖和一些的地方躲起来。有一天,它干脆失踪了,哪儿也找不到。也许它跑到花园或森林里去了吧?我们心里空落落的。

  天太冷,我们得生炉子了。我们关上通风口,放上柴,点着了火。忽然听到炉子里有什么东西沙沙直响。我们急忙把通风口打开,只见松鼠像粒子弹似的从里头蹿(cuān)了出来,跳到了大柜顶上。

  炉子里的烟直往屋子里冒,而烟囱(cōng)口却不见一丝烟。这是怎么回事?哥哥用粗铁丝做了个大钩子,从通风口伸进烟囱里去。

  结果,哥哥从烟囱里掏出一只手套,还有奶奶过节时才舍得戴的头巾。

原来,松鼠把这些东西叼到烟囱里给自己垫窝了。唉,它是从森林里来的,住在我们家里,还保留着老习惯。它天性这样,跟它说住在我们的房子里不会冷,是没有用的。