题干

在横线上填上“+”、“-”或“×”。

3____3=9  4____4=8  6____4=10

3____1=2  2____2=4  4____3=1

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答案(点此获取答案解析)

×,+,+,-,×,-

同类题3

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    Arriving in Sydney on his own from India, my husband ,Rashid, stayed in a hotel for a short time while looking for a house for me and our children.

    During the first week of his stay, he went out one day to do some shopping. He came back in the late afternoon to discover that his suitcase was gone. He was extremely worried as the suitcase had all his important papers, including his passport.

    He reported the case to the police and then sat there,lost and lonely in strange city, thinking of the terrible troubles of getting all the paperwork organized again from a distant country while trying to settle down in a new one.

    Late in the evening, the phone rang. It was a stranger. He was trying to pronounce my husband's name and was asking him a lot of questions. Then he said they had found a pile of papers in their trash can(垃圾桶)that had been left out on the footpath.

    My husband rushed to their home to find a kind family holding all his papers and documents. Their young daughter had gone to the trash can and found a pile of unfamiliar papers. Her parents had carefully sorted them out, although they had found mainly foreign addresses on most of the documents. At last they had seen a half-written letter in the pile in which my husband had given his new telephone number to a friend.

    That family not only restored the important documents to us that day but also restored our faith and trust in people.We still remember their kindness and often send a warm wish their way.

同类题4

阅读下面的文字,完成下列各题。

    书斋,顾名思义,是读书的房间,同时也是藏书的地方,还是书写的地方。读书、藏书、书写是书斋的基本功能。后来,文物古玩的收藏和鉴赏常在这里进行,诗词歌赋和书法绘画乃至篆刻的切磋和研讨也常常在这里进行。书斋是以个人名义建立,以主人和密友为主体,进行文化艺术活动的中心。书斋姓“文”,所以别名称作“文房”。

    早在春秋时期,与朝廷兴建的学校﹣﹣“官学”不同,诸子百家兴私人讲学之风,诸子家中的讲学之处往往白天是课堂,晚上就成了读书的地方。这应该就是书斋的雏形。汉代儒家学者和诗赋作家,均有自己的书斋从事文化艺术活动。因此,可以说汉代是书斋兴起的时期。唐代是一个相对自由、开放、多元化的时期,如杜甫在成都的“草堂”,就是典型的文人书斋。

    在中国传统宅院中,书斋往往是民居中唯有的精神场所。它一般位于宅院的僻静之处,如有后花园,必与之相邻,以形成高雅恬淡的良好环境。

    书斋有三大特点。一是文化传承的汇集点。书斋的主体﹣﹣读书人或做学问的人,在这里藏书,在这里读书,在这里思索;以往优秀的文化,在这里以研读、考证、校注、阐发的方式得以传承;中华民族的文明之光在这里化整为零,熊熊燃烧,然后又影响社会的发展进程,使文化得到最好的传承和发展。二是个性创造的发酵池。书斋是个人的领地,是书斋主人个性得以施展的空间。在这里,他们的创造力得以迸发,从而产生出新的思想,创造出新的艺术,使得文化发展的链条上,不断有闪动的灵光。三是人与自然和谐的典范。书斋宜明朗、清静,不可太宽敞。明净可以使人心情舒畅、神气清爽,太宽敞便会损伤目力。窗外四壁,藤萝满墙,中间摆上松柏盆景,或剑兰一二盆。石阶周围种上青翠的芸香草。书斋中宜设长桌一张,放古砚一方,置笔筒一个,墙壁上挂古琴一把;书斋右边设一书架,书架上陈列《周易古占》等书及字帖画卷。人独坐于书斋之中,或对日吟诵,或秉烛夜读,于书斋里享受一份清福,从学问中得到一份快乐。

    进入21世纪,人们对传统的兴趣在逐步衰减。有些人认为,作为传统文化标志的书斋也将被“读图时代”的电脑和网络所替代。然而,从文化发展的宏观趋势上看,在新的时代,书斋仍将成为现代社会持续存在的文化现象。随着社会发展带来的人们物质生活条件的改善,必然促进精神文化生活品味的提高,这为书斋的普及提供了基础。

    今天,历史传统和科技时尚在现代书斋已和谐地统一在一起。书斋永远是中国文人的精神家园。

(摘编自《书斋》)