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    Hilversum is a medium-sized city between the major cities of Amsterdam and Utrecht in the Gooi area of North Holland, the Netherlands. Unlike most of the Netherlands, Hilversum is actually in a hilly area with the soil mostly consisting of sand. Once called the Garden of Amsterdam, it still attracts travelers to come over to cycle and walk through the surrounding forests. They visit it for a relaxing day off from the urban madness. For Dutch people, Hilversum is all about textile (纺织) and media industries, and modern architecture.

    In history, Hilversum was largely an agricultural area. Daily life was marked by farming, sheep raising and wool production. A railway link to Amsterdam in 1874 attracted rich traders from Amsterdam to Hilversum. They build themselves large villas (别墅) in the wooded surroundings of the town. One of the families moving in was the Brenninkmeijers, currently the wealthiest family of the Netherlands. They moved in after big success in the textile industry and aided a substantial textile industry in Hilversum. But the textile boom lasted only several decades. The last factory closed in the 1960s.

    The change to a media economy started in 1920, when the Nederlandse Seintoestedllen Fabriek (NSF) established a radio factory in Hiversum. Most radio stations called in the large villas in the leafy areas of the town. Television gave another push to the local economy. Hilversum became the media capital of the Netherlands, and Dutch televison stars moved into the leafy neighborhoods surrounding the town.

    In the early 1900s, modern architcts W.M. Dudok and J. Duiker placed hundreds of remarkable buildings in Hilversum. These modern architectural masterpieces (杰作) are so many that Hilversum almost feels like an open air museum. Dudok alone shaped most 20th century Hilversum and approximately 75 buildings in 1928-1931. It has wide international fame and is included in many architecture textbooks. The building has a remarkable shape and looks like a combination of “blocks”. Actually, one may start his journey of modern architecture by walking or biking the W.M. Dudok Architectural Route in Hilversum.

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田玉莲

    ①姥爷念过私塾,虽说腹中墨水不多,却极喜好收藏古玩和古画,并且花钱在小镇繁华地带租了一处房子,开起了一家经营古玩和古画的店铺。

    ②在一个春风依依、花开烂漫的日子,姥爷的店里走进一位衣着得体的客人。交谈中,姥爷得知此人是经营茶叶的南方商贩。那人在店铺里溜达了一圈,看中了一幅画。那幅画是一人牵一驴过一座小木桥,小桥很狭窄,仅能容人和驴子走过。因为桥过于狭窄的缘故,驴子非常胆怯,执拗着不肯过桥,牵驴人就用力拽着它前行。

    ③商贩非常喜欢这幅画作,在跟姥爷讨价还价之后,以二百两银子成交。商贩先付了一百两银子给姥爷作为定金,讲好不要再卖给其他人,剩下的一百两银子,待他回到住处筹措够了再来取画。

    ④等那商贩走了之后,姥爷高兴得简直有些忘乎所以,手中掂量着那一百两银子,喝下了一大黑瓷碗地瓜酿的烧酒。姥爷想,这幅画能卖二百两银子,真是个不小的数目恐怕开三年店也赚不了这么多钱。姥爷得意地哼着小曲:“姐儿呀,南园呀……”

    ⑤鸡叫天亮,商贩带着银子如期而至。可是,令姥爷做梦也想不到的是,商贩重新打量一番那幅画后,竟不乐意了,硬要姥爷把预付的一百两银子退还给他。

    ⑥姥爷一头雾水,百思不得其解,就质问商贩:“说得好好的,怎么说变卦就变卦呢?这不是耍弄人吗?”

    ⑦商贩见姥爷一副十分委屈的神态,就解释说:“这幅画,是一个人牵着驴子过桥,画上并没有画出缰绳,但仍能清晰地感觉到牵驴人拖拽的力度,这正是‘此处无声胜有声’啊!”商贩接着说,“此处不落一笔,却蕴含着无限的奥妙,可谓神来之笔。然而,这么一幅好画,却让你平白无故地给毁了。”商贩长吁一声,晃晃头,极为惋惜。

    ⑧听着商贩的话,姥爷不由自主地“哎”了一声,懊悔得直跺脚。

    ⑨昨晚,他喝下一碗地瓜烧后,喜不自禁地把那幅画展开来看,突然,他发现画中有一处瑕疵—一牵驴人虽然在用力拽驴子,却没有缰绳。嗨,姥爷禁不住埋怨起作画的人来:太粗心,真是马大哈!更让他纳闷的是,这样的画,竟还有人愿花二百两银子买,真是个外行。

    ⑩姥爷庆幸自己发现得及时,要不然,明日商贩要是察觉了这一疏漏,这二百两银子还不打水漂了!于是,他研墨拈笔补上了一条粗壮的缰绳……

(选自《读者》2014年第9期)