题干

《中华人民共和国土地改革法》是建国初期新中国颁布的一部重要法令,结合所学知识回答有关问题:
(1)这一法令是在怎样的背景下颁布的?
(2)这一法令于什么时间由什么政府颁布?
(3)法令颁布后,便在什么地区开展了什么运动?

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答案(点此获取答案解析)

(1)解放前,半殖民地半封建的旧中国,仍然维持封建土地制度,严重阻碍农村经济和中国社会的发展。新中国成立后,占全国三亿多人口的新解放区还没有进行土地改革,广大农民迫切要求进行土地改革,获得土地。
(2)1950年;中华人民共和国中央人民政府。
(3)新解放区;土地改革运动。

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    Most young architects—particularly those in big cities—can only dream about working in a building of their own. And making that dream come true often means finding a building no one else seems to want, which is exactly what happened to David Yocum and his partner, Brian Bell. Their building is a former automobile electrical-parts firm in Atlanta. From the outside, it looks too old, even something horrible, but open the door and you are in a wide, open courtyard, lined on three sides with rusting walls.

    In 2000,Yocum and Bell found this building in the city's West End. Built in 1947, the structure had been abandoned years earlier and the roof of the main building had fallen down. But the price was right, so Yocum bought it. He spent eight months of his off-hours on demolition, pulling rubbish out through the roof, because it was too dangerous to go inside the building. The demolition was hard work, but it gave him time to think about what he wanted to do, and “to treasure what was there—the walls, the rust, the light,” Yocum said. “Every season, more paint falls off the walls and more rust develops. It's like an art installation(装置) in there—a slow-motion show.”

    Since the back building had been constructed without windows, an all-glass front was added to the building to give it a view of the courtyard, and skylights were installed in the roof. The back of the building is a working area and a living room for Yocum and his wife. A sort of buffer(缓冲) zone between the front and the back contains a bathroom, a kitchen and a mechanical room, and the walls that separate these zones have openings that allow views through to the front of the studio and the courtyard beyond.

    Yocum and Bell, who have just completed an art gallery for the city, feel that the experience from the decoration of their building, focusing on the inside rather than the outside, has influenced their work. It has also given these architects a chance to show how they can make more out of less.