An Interview with Pascal De Sarthe

    French-born Pascal de Sarthe was self-taught and becoming more and more famous among the art businessmen in the 1980s. He became one of the most recognized gallery managers of the 21st century. He made Hong Kong his base in 2010. Today, with one gallery here and another in Beijing, he's clearly fallen in love with art.

    By Philippe Dova

    What made you decide to based in Asia?

    I have been coming to Asia since 1981, doing business first in Japan and Korea, then in the early 90s in Taiwan, China and Southeast Asia. Half of my business was in Asia and I quickly started spending two weeks of every month in his area. I made many friends with new collectors who were interested in both Western and Eastern art. In 2010, staying in Asia and opening a gallery in Hong Kong seemed like the natural thing to do.

    Why Hong Kong?

    There was nothing to indicate that Hong Kong would become the center of the Asian art market. However, there were the wonderful location, the tax(税)advantages and so on---everything just came together.

    Art Basel came to Hong Kong shortly after you did

    There was already Art HK, but after careful research of the market. I believed it was reasonable for Art Basel to take over Art UK.

    What will you be exhibiting at Art Basel this year?

    We'll be showing only postwar Asian artists and new-generation Beijing artists. At the same time, we'll be opening our new gallery in Wong Chuk Hang on the south side of Hong Kong Island.

阅读下列材料，回答下列问题：
材料一：  

材料二：1945年初，美英盟军和苏军分别从西、东两面攻入德国境内。在法西斯德国败局已定的形势下，美、英、苏三国政府首脑在苏联举行会议。
材料三：在原子弹爆炸的蘑菇云升空的那一刻，日本军国主义企图依靠武力称雄世界的迷梦破灭了，正如此前和此后所有迷信武力称霸的国家一样，侵略战争在给别的国家带来灾难的同时，也给了日本毁灭性的打击。从明治维新开始近八十年来积累的物质成果，在战火中几乎化为灰烬。