题干

2017年9月18日,南昌市魏先生反映,才使用三天的海天酱油生蛆。针对消费者权益问题,消费者应该(    )

①增强维权意识,提高消费辨别能力

②加强对不法经营者的执法力度

③在网上大肆宣扬,以免其他顾客上当受骗

④在购买商品或接受服务时,注意索取,保留发票

A:①②

B:①④

C:②③

D:③④

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答案(点此获取答案解析)

B

同类题1

    One day, I went to see my last patient(病人), an old woman. In the doorway, I saw she was struggling (挣扎) to put socks on her swollen (浮肿)feet in the bed. I stepped in, spoke quickly to the nurse, read her chart noting. I was almost in the clear that she was not in serious condition.
I asked, “Could I help put on your socks? How are you feeling? Your sugars and blood pressure were high but they’re better today. The nurse mentioned you’re anxious to see your son. He’s visiting you today. It’s nice to have a family visit. I think you really look forward to seeing him."
    "Sit down, doctor. This is my story, not yours." She said with a serious voice.
I was surprised as I helped her with the socks. She told me that her only son lived around the corner from her, but she had not seen him in five years. She believed that was the main cause of her health problems. After hearing her story and putting on her socks, I asked if there was anything else I could do for her. She shook her head no and smiled. All she wanted me to do was to listen.
    Each story is different. Some are detailed; others are simple. Some have a beginning, middle and end; others don’t have clear ends. Some are true; others not. Yet all those things do not really matter. What matters to the storyteller is that the story is heard — without interruption(打断) or judgment(评价).
    It was that woman who taught me the importance of stopping, sitting down and truly listening. And, not long after, in an unexpected accident, I became a patient. 20 years later, I sit all the time — in a wheelchair.
For as long as I could, I continued to see patients from my chair. I believe in the power of listening.

同类题5

阅读下面的文字,完成后面题目

    日前,酝酿了十余年的国产动画电影《大鱼海棠》上映,首日票房即冲破7000万元人民币。从上古神话中取材或改编其故事创作国产影视作品,这不是第一次:此前有电视剧《远古的传说》《女娲传说之灵珠》,也有最近票房大卖的电影《捉妖记》。

    上古神话是指中国夏朝以前直至远古时期的神话和传说。这些先民口耳相传的故事经过先秦两汉作家的记录和再创作,主要保存在《诗经》《楚辞》《庄子》等传世典籍中,成为后世文学艺术创作的源泉。

    上古神话如何在今天的电影改编中重生?

    首先,主创者需找到上古神话与当代相呼应的精神内核,创造出既符合神话精神又与时代审美相契合的艺术形象。这就需要创作者做好充足的功课,深入了解上古神话的文化内涵,借鉴当前神话研究的最新成果,为自己的二度创作打下扎实的基础,避免由于自身知识的缺陷而导致创作时一叶障目、捡了芝麻丢西瓜。《大鱼海棠》的形象设计镌刻着中国传统文化的纹章:鲲鹏、大椿、凤凰、祝融、貔貅、嫘祖等神话形象汇聚一堂,其姿态动作抓住了中国道家文化的气质,其法术神力抓住了东方美学中的自然灵韵。影片的人物矛盾设置意在凸显家族伦理、敬畏生死、天道有常等传统伦理价值与个体自由、个性解放等现代价值观的碰撞,并最终在人(片中的神即人)与大自然的博弈中获得新的价值平衡。遗憾的是,创作者想塑造的形象过多,每一个都没能充分展现出自身的个性特征和文化内涵,模糊和弱化了角色的艺术力量。电影《捉妖记》对上古神话的化用则较为浅层次,其人物塑造虽取法《山海经》中的异人异兽,但角色的行动则带着好莱坞电影的喜剧色彩,没有传递出传统文化的精神气质。

    其次,上古神话往往并不具备完整的叙事结构,而讲好一个故事并对人性有深刻的挖掘与表现,则是影视改编的核心。遗憾的是,在这方面我们做得还不够。比如《捉妖记》对妖与人类、妖族内部之间的矛盾冲突表现得不够充分,《大鱼海棠》对主角椿、湫和鲲之间的情感线索铺展不足,人物动机不合理,故事主题也不够凝练,比如灵魂交易的情节设置在一定程度上消弭了主角为理想不断反抗乃至自我牺牲的崇高感。英国的魔幻电影《指环王》情节虽有拖沓之处,但做到了叙事上的合情合理,并始终紧扣人性对抗恶欲,最终实现自我救赎的主题,这种创作经验值得我们学习。

    改编自上古神话的大银幕作品,离不开一个具有代入感的奇观世界。伴随电影特效和虚拟现实技术的发展,实现虚构形象的写实已不是问题,然而容易被忽视的,是从细节着手,凸显传统文化的美学价值,确保影片整体风格的统一。

    上古神话承载了华夏祖先对世界最初的认识和奇谲瑰丽的想象,是中国传统文化的精神故地。让上古神话在当代电影中重生,既是对传统文化的创造性转化和创新性发展,也是对当代大众文化的丰富与提升。

(摘编自林炜圣《上古神话如何“重生”》)