题干

汶川地震后,罗大佑创造了一首名为《家》的歌曲:轻轻地爱你/轻轻地爱你/我的宝贝/我的宝贝/轻轻地想你/轻轻地想你/我的眼泪/我的眼泪/谁能给我更温暖的阳光/谁能给我更温柔的梦想/谁能在最后终于还是原谅我/还安慰我那创痛的胸膛/我的家庭/我诞生的地方/有我童年时期最美的时光……从歌词我们可以感受到(  )
①家庭是我们成长的摇篮
②有了家庭和父母的呵护,我们就一定能健康成长
③家庭式我们的港湾,为我们遮蔽灾难
④家庭使我们尽享亲情与温暖

A:①③④

B:②③④

C:①②③

D:①②④

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答案(点此获取答案解析)

A

同类题3

阅读下面的文字,完成下列小题。

《红楼梦》的开篇神话

    《红楼梦》是由一个神话故事开端的。说的是大荒山无稽崖下,有一块女娲补天时未被采用的石头,幻化为神瑛侍者,每天用甘露浇灌三生石畔上的一颗绛珠仙草,后来仙草修成女身,愿把一生所有的眼泪还他的情。因此一事,便引出一部悲金悼玉的《红楼梦》来。

    故事虽然说来荒唐无稽,但是任何神话都有其尘根俗缘。曹雪芹编造的这个神话故事,毫无疑问也是有其现实的基础的。那么,《红楼梦》中的这块顽石,到底生于何方何地呢?作者说是本于“大荒山,无稽崖”,用脂砚斋的话来说,就是“荒唐也,无稽也”,亦即是无可稽考之处。在我看来,这是作者和批者有意让人处于扑朔迷离之中,它应当是真有其处的。依据相关材料揆情度理,我认为,它应当是我国东北部的长白山。在远古时代,人们便称此为“大荒山”。我国第一部地理学著作《山海经》中记载:“大荒之中有山,名不咸,在肃慎之国。”肃慎,位于我国东北的东北部;不咸,蒙语即神仙的意思;不咸山,即仙山。长白山天池之畔有一天豁峰,山峰形状奇特。山石巨大,其中最大的一块,便名曰“补天石”。

    “绛珠仙草”又是什么呢?我认为,它即是长白山上的名贵特产人参。人参常被称为“神草”或“仙草”,长着对生的绿叶,绿叶中间挺立着一株长长的花柱,柱上结着一串串红宝石似的珠果,颜色绛红绚丽,形状如同南国红豆,晶莹剔透。这样看来,这个“绛珠仙草”不是人参又是什么呢?

    “神瑛侍者”呢?他似是“神鹰”的谐音。很早以前,满人中间流传一个神话:有三个仙女在长白山天池里洗澡,有一只神鸟(也有称说神鹰的)噙来一颗绛红的仙果放到最小的仙女佛库伦的衣服上,仙女吞下红果后生个男孩,便是清世祖先布库里雍顺。因此,神鸟(或神鹰)与绛红朱果的兰因絮果,恩恩怨怨,早就缔结在三生石畔了,曹雪芹只不过是将其巧妙地改造了一番,且完全不露一点痕迹。

    为什么曹雪芹要用这么一个神话故事,来牵引出这部百年望族的兴衰史呢?曹雪芹先人早在明万历年间迁居沈阳附近,加入旗军正白旗。他们为清室开创基业,屡立卓越功勋。因此曹雪芹用这么一个神话故事开篇,这与他绵绵不绝的寻根怀旧思恋有着直接的关系。曹雪芹生于末世,当年随同清室一同入关的八旗子弟,个个都是声名显赫,唯独他结庐在荒凉的西郊荒野村,穷困潦倒,怎能不产生“娲皇只用了三万六千五百块、单单剩下一块未用”的慨叹呢?

    曹雪芹在一首《画中诗》中说:“爱此一拳石,玲珑出自然。溯源应太古,堕世又何年?有志归完璞,无才去补天。不求邀众赏,潇洒做顽仙。”这里明明点出这块顽石的来历,它的根源本来尊贵,详溯其源当是出自太古的大荒山(即长白山)山巅,遥想当年是何等的荣耀,只是今日才蒙蔽尘埃,埋没于蓬蒿之中。现虽欲返璞归真,但又不能去攀结那些豪门权贵,只能是“自怨自愧,日夜悲哀”而已!并于万般无奈之中,才求诸笔墨文字,冀图得到诸如空空道人之类的人去传述其一番历历可数的心迹罢了。

同类题4

根据短文理解,选择正确答案。

    Peking Opera (Beijing Opera), is one of the oldest forms of dramas(戏剧) in the world. The roles(角色) in it were Sheng, Dan, Jing, Mo, Chou, Wuhang, and Longtao during its early age. But with the change of Peking Opera, there are four main roles in it today: Sheng, Dan, Jing and Chou.

    Sheng——Men Roles

    Sheng are the men roles in Peking Opera, which can be divided into Laosheng, Wusheng, Xiaosheng and Wawasheng.

    Laosheng are middle-aged or older men who are honest. Hongsheng,a type of Laosheng, have a red face. There are only two roles famous as Hongsheng. One is Guan Gong and the other is Zhao Kuangyin. Wusheng are young generals(将军) who are good at martial arts(武术). Xiaosheng are clean-shaven(没有胡须的) and handsome. Wawasheng are children's parts.

    Dan——women Roles

    Dan are women roles that can be divided into different types——Laodan, Qingyi, Huadan, Wudan and Caidan.

    Laodan play old and clever women. Qingyi are the main women roles. Huashan, a type of Qingyi, was created by Mei Lanfang, who played an important role in shaping Peking Opera. Huadan are lively and unmarried women roles. Wudan characters are women, good at martial arts. Caidan are clowns(小丑) in funny plays.

    Jing——Painted Face Men Roles

    A Jing role is an important man character with striking(吸引人的) looks and high social position. The main types of Jing are Tongchui, good at singing and usually a general; Jiazi, good at acting with less singing; and Wujing, a martial arts and acrobatics(杂技) role.

    Chou——Comedy Roles

    Chou are comedy(喜剧) roles in Peking Opera. There are Wenchou who speak, act and sing, and Wuchou who both speak and fight. What makes this type of role special is a small patch(块) of white chalk around the nose. One of the famous roles is the Monkey King, who has a special position in the hearts of all who are interested in Chinese opera.