题干

      默写
      ①_______________,志在千里。(曹操《龟虽寿》)
      ②几处早莺争暖树,_______________。(白居易《钱塘湖春行》)
      ③_______________,似曾相识燕归来。(晏殊《浣溪沙》)
      ④_______________,小桥流水人家,古道西风瘦马。(马致远《天净沙 秋思》)
      ⑤曾子曰:“吾日三省吾身:________?________?________?”(《论语》)

上一题 下一题 0.0难度 选择题 更新时间:2018-09-02 06:20:04

答案(点此获取答案解析)

①老骥伏枥
②谁家新燕啄春泥
③无可奈何花落去
④枯藤老树昏鸦
⑤为人谋而不忠乎与朋友交而不信乎传不习乎

同类题1

阅读下文,完成后面各题。

十全九美也是美

舒乙

        ①有一回,郑振铎先生应邀到老舍家,看老舍收集的小古玩。老舍和郑振铎是老朋友了,无话不谈。

        ②郑振铎先生当时是新中国的第一任国家文物局局长,是文物方面的大家。他以专家的眼光看了老舍先生的收藏,然后很轻松地说了一句话:“全该扔!”

        ③老舍收藏的小古玩虽然从整体上看是很漂亮的,但其中有些却有一些瑕疵,让郑先生看不上眼。譬如,有一条不明显的小裂纹,或者有一个小缺角。老舍听了之后,也没生气,愣了一小会儿,笑着,也说了一句话:“我喜欢!”

        ④随后,老舍先生从柜中拿出一个小瓷碟,是浅蓝色釉子的,碟的中部有一个紫红色的图形,像一个大的、加长的逗号,很随意,很潇洒,好像是随便勾抹出来的。老舍先生指着这笔大“逗号”说:“您瞧,多漂亮,神来之笔呀!”郑振铎先生虽不说话,却点了点头,似乎也同意这东西真好看。大概他也认为这是随性而为的,刻意做反倒做不出来,有天然之趣。

        ⑤一个“全该扔”,一个“我喜欢”,无意中道出了两种判断事物的标准。

        ⑥他俩的观点其实都是有道理的,虽然代表着两种不同的出发点,却有异曲同工之妙。一个是纯粹从文物专家的角度出发,以为有瑕疵的,哪怕是微小的毛病,只要没有什么特别的优点,便都不可取,不值得保存,没价值;另一个则从艺术的角度出发,自己看着美,又觉得特别有意思,有较高的艺术价值,便留下来收藏,不太在乎年代是否久远、是否属于绝对稀有,或者是否出自名家、官窑。

        ⑦这两种观点,前者是客观的,后者是主观的。当然,后者的所谓主观也是建立在一定的文化积淀之上的,是在一定的客观基础上的主观,表现为一种自信和以“我”为中心。

        ⑧更何况,维纳斯女神像和《富春山居图》,甚至曹雪芹的《红楼梦》,虽然本身都是残缺的,却也依然是大家公认的文学艺术作品的巅峰。

        ⑨由这几个特例可以看出,对艺术作品而言,艺术性的高低是第一位的判断标准,哪怕缺胳膊少腿都没有关系。它们是人类精神文明的最高代表,是绝对高峰,无人能比,谁也迈不过去。艺术第一!

        ⑩是的,十全九美也是美。

同类题2

阅读理解

    Skateboarding is an action sport which includes riding and performing tricks using a skateboard, as well as an activity for fun, an art form, an entertainment industry job, and a method of transportation. In 2016, it was announced that skateboarding will be represented at the 2020 Summer Olympics in Tokyo, Japan.

    There are various theories about the origins of Skateboarding, but it is generally held that the sport began in the 1940s on the west coast of the USA when metal wheels were attached to a narrow wooden board. In the 1950s, plastic replaced metal as the material of choice for the wheels, and the first "Roller Surfboard" become commercially available, which in turn developed into the skateboard that we know today. The sport was a big hit with the younger generation and grew in global popularity in the 1980s and 1990s. Since the late 1990s, skateboarding has become an important part of street culture.

    However, skateboarding has raised heated discussions in areas where the activity, although legal (合法的), has damaged stone works, steps, benches, and parks. Certain cities oppose the building of skate parks in their neighborhoods, for fear of increased crime (犯罪) and drugs in the area. The disagreement between the old image of skateboarding and a newer one is quite obvious: magazines such as Thrasher describe skateboarding as dirty, and still firmly tied to punk (朋克), while other publications, Transworld Skateboarding as an example, paint a more different and controlled picture of skateboarding. As more professional skaters use hip hop, or hard rock music in their videos, many urban youths, hip-hop fans and hard rock fans are also drawn to skateboarding, weakening the sport's punk image. Besides, group spirit influences the members of this community. In presentations of skateboarding, the evidence of crime is absent, and no attempt is made to tie extreme sports to any kind of illegal activity.

    The good news is that efforts have been made to improve recognition of the cultural heritage as well as positive effects of skateboarding in cities. By raising £790,000, the Long Live Southbank initiative managed to stop the destruction of a forty years old spot in London due to urban planning, a rescuing operation whose effect extends beyond skateboarding. The presence of skateboarders on this public space keeps the area under nearly constant watch and drives homeless people away, increasing the feeling of safety in the area. The activity attracts artists such as photographers and film makers, as well as a significant number of tourists, which in turn drives economic activity in the neighborhood.